Showing posts with label writing a series. Show all posts
Showing posts with label writing a series. Show all posts

Tuesday, February 20, 2018

Taking the ‘Can She Write A Series?’ Challenge @vscotttheauthor



By Veronica Scott


My progression as a writer has moved over time from writing and illustrating my own ‘novel’ at the age of seven (princesses, flying cats, flying horses and a riverboat captain hero) to several connected series of scifi novels in junior high and high school that were heavily influenced by Tom Corbett Space Cadet and ‘Star Trek,” with elements of Trixie Belden thrown in. (Those novels are never seeing the light of day, folks.)  My first two published books were standalone and released in 2012. One from Carina Press and the other self published.

I haven’t looked back since but became a full time author in 2015 and now have somewhere around 20 books out (it varies as anthologies go on and off sale etc.).

Late in 2017 I decided the time had come for me to tackle an actual series, with an overarching plot arc that would run through the five volumes. Ta da!

I never used to think I could write such a series, being an as-I-go plotter (also known as a seat of the pants writer) and wasn’t much tempted to try it. The ‘series’ I wrote as a teenager were done as standalone books and then I’d get a new idea and write the next one with the same characters. There was no single plot direction driving the arc, just adventure and romance. I wasn’t trying to get to any specific end point.

As a published author, I like writing standalone stories set in one universe, be it ancient Egypt or my interstellar civilization, the Sectors. Sometimes I even do a sequel or have the same characters make an appearance in more than one book (usually as secondary characters since they’ve already had their own story told). So, I still do connected series with no problem and I do have a long term arc for the Sectors in my head, but don’t require each book to move the action forward.

When I was thinking about what concepts I might use to write a series that would hold my own interest as an author and hopefully be enjoyed by the readers, I realized this might be my chance to tackle a trope I’ve always loved – the genetically engineered super soldiers. I never got enough of Lora Leigh’s Breeds or Laurann Dohner’s New Species and the advice to write what you want to read seemed to me to apply here.

So I came up with the Badari, tough warriors created by the alien enemies of the humans in my Sectors. I added to that mix a colony of humans kidnapped in their sleep by the aliens in charge of all this questionable science and brought to the planet where the Badari are held, to serve as subjects in more experiments. The questions in the big arc are how do the Badari gain their freedom, how do the humans ever get home to tell the Sectors about this new threat…and of course how does the romance occur in the midst of all this? 

The first volume, Aydarr, came out in December and the second book, Mateer, just recently released. Now I’m working on the third story, with probably two more to go to wrap everything up. I also have lots of plot ideas in my head for more stories about the Badari, if readers like them, but those would be in my standalone writing style, since the big arc will be wrapped up. “Sidequels”!

It’s going fine so far, I’d say. I did enough outlining to know what the major plot point to be achieved was for each novel, but not so much detailed planning that my Muse would balk at writing the book. (As I’ve mentioned before, if I plot too much before I write, I lose all interest in doing the actual writing. The creative spark flees – the story is told.)

It’s too soon to say if I’d write another actual series. I really do like the standalone experience of writing and it suits my tendency not to outline or plan ahead in detail, but I’m enjoying this challenge so far. I think my biggest hurdle is that I feel I owe it to the readers to get each book in the series out within 4-6 weeks of the previous book and so I have to write the Badari novels back to back, not stray off and play with some other shiny plot in between. But sometimes life happens, as they say, like moving to a new apartment in late December, and the writing schedule goes out the window.

And I do love my covers!




The blurb for Mateer:  Megan Garrison, a doctor at the Sectors Amarcae 7 colony, goes to sleep one night as usual only to wake up in her nightgown, strapped to a table in an alien lab, destined to be the subject of terrifying experiments. Granted a brief reprieve, Megan and the other kidnapped humans are released in the middle of a forestlike enclosure on this unknown world and told to survive as best they can for now.

Her only hope is Mateer, the genetically engineered alien warrior imprisoned with the humans. He knows more than he’s sharing about this planet, their captors and the fate of other humans, including perhaps her own sisters. Turns out everyone from her colony has been kidnapped by the Khagrish, a ruthless race of alien scientists. Working for enemies of the human-led Sectors, the Khagrish have created the Badari to be super soldiers.

Mateer, a tough Badari enforcer, now a rebel, is captured while infiltrating the lab to help his pack bring it down. He’s also been ordered by his leaders to search for Megan and save her life at all costs. Tortured by the enemy, he’s offered one chance at survival – convince Megan to become his mate and assist the Khagrish with further experiments.

As the situation at the lab grows worse, Megan struggles against her deep attraction to Mateer, while she does her best to shield the other humans from the terrible Khagrish experiments. For his part, Mateer knows she really is his fated mate and despairs of being able to keep her safe, as the rebel attack is delayed and she fights the truth of their bond.

Will they be able to work together to defeat Khagrish plans and preserve human lives until the promised rescue happens? And what of their future together – will Megan accept Mateer as her true mate, or walk away if she’s freed?

Buy LinksAmazon     iBooks      B&N    Kobo  Google coming soon!




Author Bio and Links:
 USA Today Best Selling Author
“SciFi Encounters” columnist for the USA Today Happy Ever After blog
  
Veronica Scott grew up in a house with a library as its heart. Dad loved science fiction, Mom loved ancient history and Veronica thought there needed to be more romance in everything. When she ran out of books to read, she started writing her own stories.

Seven time winner of the SFR Galaxy Award, as well as a National Excellence in Romance Fiction Award, Veronica is also the proud recipient of a NASA Exceptional Service Medal relating to her former day job, not her romances!
  
She read the part of Star Trek Crew Member in the audiobook production of Harlan Ellison’s “The City On the Edge of Forever.”


Wednesday, March 11, 2015

My Five Guidelines for Writing a Successful Series

by Corrina Lawson


I naturally write series books.

I suspect it’s because I loved reading series when I was growing up. From Walter Farley’s Black Stallion, to Edgar Rice Burroughs’ Tarzan books to J.R.R. Tolkien’s work, and eventually to Anne McCaffrey’s Pern and Lois McMaster Bujold’s Vorkosigans, when I loved something, I wanted more.

As I revised my “Books” page on my website recently, I realized that there are now six stories in my Galaxy Award-winning Phoenix Institute series and I have ideas for several more. I decided if the series was to continue, I needed to codify my guidelines for keeping the stories fresh and fun. Here are my top five:

One: Never hold back anything for the next book.

If the story requires something to happen, let it happen. Don’t think “wait, if I do that, I can’t use X character for the next book” or “hey, let me save that big fight for the next book…”

No. Treat every book as if it might be the last book. Resolve the elements that need resolving in this particular story. If you need to kill off somebody, kill ‘em. If you need to give a character a happy ending and send them off into the sunset, do that. Give your readers an emotionally satisfying catharsis. Don’t make them wait until the next one.

Two:

When building your storyverse, always keep in mind that many other people besides your characters will be living in it.

Filmmakers do this with production and art design, creating the spaces for the actors to live in. Don’t neglect this even if your books are contemporary.

Don’t overthink it, either. It’s not necessary to put every element of what you’ve imagined in your story. Sometimes it’s enough to just toss off lines about untold adventures, as Watson was wont to do in Conan Doyle’s Sherlock Holmes tales. Sometimes it’s making sure your spaceport contains separate spaces for military and civilian vessels.

But always consider how your characters live in their world, even the minor ones.

Three: Don’t let your series characters overwhelm the characters of any particular story.

You know readers loved the hero and heroine of the first book but you’re working on the second story and they just don’t fit. That’s okay. It’s nice if other series characters are useful and integral as supporting characters but if they’re not essential, they drag your story down. Your readers were hooked on the first book because they loved the story. Give them another great story and they’ll come back. (I have a favorite character that I keep writing out of stories because he threatens to take them over. No! Back to your HEA!)

Four: Each book should be, as much as possible, an entry point into your series.

I’m one of those weird people who will read a series out of order. I just received an omnibus volume of Steve Miller and Sharon Lee’s Liaden Universe. The three books inside are recent but I had no trouble walking into their wonderful world. If I had to start at the beginning of the Liaden stories(there must be over 20!) I would despair. But they made it easy for me to walk through the door. How to do this? One of my tricks is to use beta readers who haven’t read the other books. (Yes, George R.R. Martin is an exception to my “rule.” There are always exceptions, which is why I call these guidelines. )

Five:

Mix up the kinds of stories told in each book.

Phoenix Rising is a classic “becoming a hero” story. Phoenix Legacy is a dark redemption tale. Ghost Phoenix is my international adventure story inspired by Indiana Jones adventures. Phoenix Inheritance brings the focus back to the very personal. And the two novellas featuring Al and Noir, Luminous and Ghosts of Christmas Past, are my urban fantasy ala Batman tales.

I’m reasonably certain that my author voice comes out in each story . I’m equally sure readers are going to find common elements that, as the author, I never notice. But I get bored writing the same plot, over and over. I bet readers get bored with similar plots too. As long as I don’t genre-hop too widely and start adding elements that won’t fit (I doubt spaceships carrying aliens will ever show up at the Phoenix Institute), I’m guessing that readers appreciate some variety.

As for the next book?

I sense it’s time for reckoning with my current bad guys.

Time for the big, fiery, world-changing confrontation and a reset of the board.

Because maybe that’s bonus rule six: Don’t get stale. Up the stakes every so often.



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