Showing posts with label Corrina Lawson. Show all posts
Showing posts with label Corrina Lawson. Show all posts

Tuesday, December 4, 2018

Motives In Science Fiction by @CorrinaLawson


by Corrina Lawson

Science fiction and mysteries have always been intertwined. And, though some who love those genres would deny it, relationships and romance have always been a large part of them.
                                
Let’s break them down.

Science fiction is a search to explain the unknown, to peer into the unknowable future and use it to project the present. It’s the genre of possibilities.

Combine science fiction with a mystery, and the questions become explicit.

And, because the solution to those mysteries are bound up in how humans (and other intelligences) relate to one another, relationships and even romances have always been part of them too.

I grew up reading science fiction, fantasy, mysteries, and a few romances, and, naturally, I tossed all three into the pot when I set down to write my first steampunk mystery, The Curse of the Brimstone Contract.

There were several direct influences. My writing owes something to the science fiction mysteries of Isaac Asimov, particularly  Lije Bailey/R. Daneel Olivaw detective stories. Asimov, of course, was drawing on the tradition of the Holmes/Watson partnership. (Of course, I read the complete Sherlock Holmes as a young teen as well. Thank you, Arthur Conan Doyle.)

But what really cemented my love of science fiction mysteries was the discovery of the late Randall Garrett’s Lord Darcy stories. In this alternate world, where Richard Lionheart reigned far longer, an alternate timeline that also features magic spun out through the centuries, leading to the roughly Victorian-era of Lord Darcy, detective to the Duke of Normandy, and his assistant, forensic sorcerer, Sean O'Lochlainn.



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 And, yes, forensic sorcerer is as cool as it sounds, basically a scientific approach to magic. The Lord Darcy books are collected in one great big volume nw, so they should be easy to find still. Garrett died before he could write more than that collection, however. :sigh: However, his stories do feature romance in a subtle way, one between Lord Darcy and a foreign spy, another, more explicit, between Darcy and a noblewoman with a penchant for mysteries.

As I’m a believer that the stories we adore in our formative years shape our fiction, it was perhaps not surprising that when I created a steampunk world, I started with my own Sherlock Holmes analog, one Gregor Sherringford. (His last name being one of Conan’s Doyle’s rejected first names for Holmes.)

The first novel in the Steampunk Detectives, The Curse of the Brimstone Contract, introduced Joan Krieger, our narrator, and my own version of Watson. Joan is where I veered far outside the lines of my influences. She’s more than a simple assistant: she’s a seamstress, a dressmaker intent on remaking the world through fashion, who has a natural curiosity and drive to become more than what society says she should be. Working against her is her class, her gender, and her religion, Jewish. 




Gregor Sherringford is also a departure from Holmes, that consummate loner. He has a living mother, and noble family that he avoids. This is partially his natural reserved inclination and partially because Gregor never possessed a powerful mage gift, as his parents’ hoped.

But also it’s because Gregor’s mother is Indian and Gregor’s place in the rigid class society of the peers of the realm is uneasy.

That makes Gregor naturally empathic to those of society who are prevented from standing up for themselves because of prejudice. Gregor, being Gregor, would deny the empathy and insists that solving mysteries is the only way to feed his active mind.

As would the original Holmes.

But Doyle’s Holmes had nothing but sneers for the nobility who endanger innocent lives or take advantage of others. Original Holmes admires those who stand up for themselves, even if they need a little help doing so, like the young heiress in The Adventure of the Speckled Band or, more famously, “the late Irene Adler of dubious and questionable memory.” It’s clear in A Scandal in Bohemia where Holmes’ sympathy resides.

Doyle’s Holmes is a champion, if your cause is just, no matter the odds against you. That’s what I wanted Gregor Sherringford to be as well.

Like the original Holmes, Gregor does not like admitting he has emotions. Except, of course, where Joan Krieger is concerned.

In Curse of the Brimstone Contract, I blended science fiction and mystery in a search for those killing the clients of Joan’s dress shop via magical attack. There is a growing romance between Joan and Gregor as well. For Joan, Gregor is a person who sees her true self, who views her as worthy as any peer. For Gregor, Joan is someone immensely gifted, someone not intimidated by his reserve, someone who innately trusts him to do what’s right, even under dire circumstances.

But it’s not an easy relationship, given their differences in class and religion. To explore those, I knew the sequel had to bring in Gregor’s family, via the family estate at Lotus Hall.

And, so, science fiction, mystery, and romance entwine once again in A Hanging at Lotus Hall. The science fiction comes from the meld of steam technology with magic, producing such things as a flying carriage and automated doors. The mystery comes from a locked-room murder committed by a mage within Lotus Hall. 




The romance comes from Joan’s collision with the noble family of the Dukes of Bennington. Like many families, including her own, they are hiding secrets, sometimes, deadly ones, leading Joan not only unsure whether she belongs, but who she can trust with her life.

The external mystery had to reflect the internal problems between Joan and Gregor. Oddly, that led me to including not one but two other romantic subplots in the book, though not as fully developed as Joan and Gregor’s romance.

Add thwarted love to a desire for power, and it’s a heady combination for my ultimate villain.

Because even in science fiction, the motives are going to remain…human. 

888

Follow Corrina Lawson: 


Curse of the Brimstone Contract available at Amazon: https://www.amazon.com/gp/product/B0755C8WZF/

Hanging at Lotus Hall releases February 5, 2019. 


Tuesday, November 15, 2016

Romance and Geek Fandom: Different Language, Same Feels by @CorrinaLawson

by Corrina Lawson



The romance genre tends to be misunderstood among certain segments of geek fandoms. Perhaps it’s because, like me, they grew up believing that romance was all about women being rescued and needing a dude. I can’t blame them, that’s still the prevailing wisdom about the romance genre, which should instead be seen for what it is, a feminist genre.
                                                      
            But the more time I spend in both communities, the more I see how much they have in common. Fandom may call romances ‘shipping (short for relationships) but they’re both talking about their love for deep, emotionally resonant relationships. ‘Shippers and the romance readers want the ‘d’aw.’ They want stories that touch their heart, ones that hits them with the feels.

            You have only to look at the terms used by shippers and their devotion to the pairings to know that.

There are multiple terms for different types of relationships in shipping, starting with “slash.” Star Trek fandom was the originator of the term from way back when as female fans first paired up Kirk and Spock and separated their names with a slash.

            The romance genre eventually picked up the slash as well. As LGBTQ fiction and ménage fiction becomes more popular, the slash is used to differentiate types: m/m, m/f/m, m/m/f, and other combinations.

            Fandom, too, separates their ‘shipping. There’s the OTP (one true pairing), OT3 (one true threesome), the BroTP (which Hollywood sorta stole as bromance), and TTP, when a fan can’t make up their mind which pairing is their favorite. (Hey, who can choose? Both fandom and romance writers often say ‘what the heck’ and add in multiple happy combinations.)

            When I listen to shippers, they sound just like romance readers discussing their favorite heroes and heroines or arguing about what pairings should exist, and whether the author of the romance made them buy the romance of this hero and heroine.

I wish romance readers would use fandom terms like “crack pairing” because they’re so perfect for these kinds of discussions. (A crack pairing might be, say, Roarke and McNab from the “In Death” series.) I also love fandom’s PWP (Plot? What Plot?) as a term for stories that are all about sex. While romance readers and writers struggle to tell the difference between romantica, erotica and erotica romance, PWP nails exactly what kind of story a reader will get.

It’s my hope the shippers will eventually seek and find the kinds of stories they love in the romance genre, especially in the SF/F settings that many members of the Science Fiction Romance Brigade use in their stories. After all, there is never too much of a good thing.

For instance, for those who love the all-powerful guy who picks the strongest women they know, like Lois/Clark or Steve/Peggy, there are many SF Romance parallels or even paranormal romance parallels, starting with Eve Dallas and Roarke, or in the military SF or Linnea Sinclair.

Then there is the thriving romance genre featuring LGBTQ relationships in all combinations, with the happy endings for the characters that they are so often denied in the source materials for fandom. (See: Lexa/Clark or the trope of “Killing off the Gays.”) Oh, and tropes? Yes, romance readers have their favorites too.

The biggest difference between fandom and romance readers? Romance readers don’t’ have to write their own HEA (happily ever afters) for their favorite characters—they always get them.

And that will always will hit me in the feels.




  About Corrina Lawson:

Corrina Lawson is a writer, mom, geek and superhero, and the author of the Amazon bestselling steampunk romantic mystery, The Curse of the Brimstone Contract, and the Galaxy-Award Winning superhero romance series, the Phoenix Institute, which begins with Phoenix Rising. You can find her at www.corrina-lawson.com, on Twitter as @CorrinaLawson and find her full list of novels at Amazon at:  (https://www.amazon.com/Corrina-Lawson/e/B006HV96BA)












Corrina Lawson's latest book in the Phoenix Institute Series. Award winning superhero romance! 




Tuesday, July 26, 2016

Portals: Volume Five Release Day! #scifi #romance #SFRB


Portals: Volume Five is out! 

Welcome! You have arrived at a portal to the galaxy.

Enter, and you'll be introduced by award-winning authors to worlds beyond imagining, with heroes & heroines who dare to take it to the edge and beyond. Count on these adventurers to take their best shot … at their enemies and at romance!

Contains 10 first chapters, with links to purchase any or all of the complete books, should you wish.

All Portals volumes are FREE. Get yours today at your favorite publishing platform:


Enjoy!

Thursday, April 9, 2015

SFRB Recommends 37: Phoenix Rising by Corrina Lawson #sfrom #scifi #romance #superhero #novel

This recommendation comes to you from Rachel Leigh Smith.

"He was born to be a weapon. For her, he must learn to be a hero. "

Since birth, Alec Farley has been trained to be a living weapon. His firestarter and telekinetic abilities have been honed to deadly perfection by the Resource, a shadowy anti-terrorist organization the only family he has ever known. What the Resource didn t teach him, though, is how to play well with others.

When psychologist Beth Nakamora meets Alec to help him work on his people skills, she s hit with a double-barreled first impression. He s hot in more ways than one. And her first instinct is to rescue him from his insular existence.

Her plan to kidnap and deprogram him goes awry when her latent telepathic ability flares, turning Alec s powers off. Hoping close proximity will reignite his flame, she leads him by the hand through a world he s never known. And something else flares: Alec s anger over everything he s been denied. Especially the passion that melds his mind and body with hers.

The Resource, however, isn t going to let anything or anyone steal its prime investment. Alec needs to be reminded where his loyalties lie starting with breaking his trust in the woman he s come to love.

Warning: Contains telekinetic sex, nuclear explosion sex hot enough to melt steel, and various and sundry swear words.


I wasn't quite sure what to expect going into my first superhero romance. And wow! It sucked me right in and I blew it through so fast.

This book hit my hero sweet spots to perfection. It was a story about the hero, told mostly from his POV, and Alec himself is awesome. A wonderful change of pace from the usual dark and broody tormented hero. Everything about him was a perfect balance combining to make him one of my favorite heroes of 2014.

Author site: Corinna Lawson - Writer, Geek, Mom, & Superhero

Wednesday, March 11, 2015

My Five Guidelines for Writing a Successful Series

by Corrina Lawson


I naturally write series books.

I suspect it’s because I loved reading series when I was growing up. From Walter Farley’s Black Stallion, to Edgar Rice Burroughs’ Tarzan books to J.R.R. Tolkien’s work, and eventually to Anne McCaffrey’s Pern and Lois McMaster Bujold’s Vorkosigans, when I loved something, I wanted more.

As I revised my “Books” page on my website recently, I realized that there are now six stories in my Galaxy Award-winning Phoenix Institute series and I have ideas for several more. I decided if the series was to continue, I needed to codify my guidelines for keeping the stories fresh and fun. Here are my top five:

One: Never hold back anything for the next book.

If the story requires something to happen, let it happen. Don’t think “wait, if I do that, I can’t use X character for the next book” or “hey, let me save that big fight for the next book…”

No. Treat every book as if it might be the last book. Resolve the elements that need resolving in this particular story. If you need to kill off somebody, kill ‘em. If you need to give a character a happy ending and send them off into the sunset, do that. Give your readers an emotionally satisfying catharsis. Don’t make them wait until the next one.

Two:

When building your storyverse, always keep in mind that many other people besides your characters will be living in it.

Filmmakers do this with production and art design, creating the spaces for the actors to live in. Don’t neglect this even if your books are contemporary.

Don’t overthink it, either. It’s not necessary to put every element of what you’ve imagined in your story. Sometimes it’s enough to just toss off lines about untold adventures, as Watson was wont to do in Conan Doyle’s Sherlock Holmes tales. Sometimes it’s making sure your spaceport contains separate spaces for military and civilian vessels.

But always consider how your characters live in their world, even the minor ones.

Three: Don’t let your series characters overwhelm the characters of any particular story.

You know readers loved the hero and heroine of the first book but you’re working on the second story and they just don’t fit. That’s okay. It’s nice if other series characters are useful and integral as supporting characters but if they’re not essential, they drag your story down. Your readers were hooked on the first book because they loved the story. Give them another great story and they’ll come back. (I have a favorite character that I keep writing out of stories because he threatens to take them over. No! Back to your HEA!)

Four: Each book should be, as much as possible, an entry point into your series.

I’m one of those weird people who will read a series out of order. I just received an omnibus volume of Steve Miller and Sharon Lee’s Liaden Universe. The three books inside are recent but I had no trouble walking into their wonderful world. If I had to start at the beginning of the Liaden stories(there must be over 20!) I would despair. But they made it easy for me to walk through the door. How to do this? One of my tricks is to use beta readers who haven’t read the other books. (Yes, George R.R. Martin is an exception to my “rule.” There are always exceptions, which is why I call these guidelines. )

Five:

Mix up the kinds of stories told in each book.

Phoenix Rising is a classic “becoming a hero” story. Phoenix Legacy is a dark redemption tale. Ghost Phoenix is my international adventure story inspired by Indiana Jones adventures. Phoenix Inheritance brings the focus back to the very personal. And the two novellas featuring Al and Noir, Luminous and Ghosts of Christmas Past, are my urban fantasy ala Batman tales.

I’m reasonably certain that my author voice comes out in each story . I’m equally sure readers are going to find common elements that, as the author, I never notice. But I get bored writing the same plot, over and over. I bet readers get bored with similar plots too. As long as I don’t genre-hop too widely and start adding elements that won’t fit (I doubt spaceships carrying aliens will ever show up at the Phoenix Institute), I’m guessing that readers appreciate some variety.

As for the next book?

I sense it’s time for reckoning with my current bad guys.

Time for the big, fiery, world-changing confrontation and a reset of the board.

Because maybe that’s bonus rule six: Don’t get stale. Up the stakes every so often.



Thursday, October 23, 2014

SFRB Recommends 26: The Curse of the Brimstone Contract #scifi #steampunk #romance

This week's recommendation is brought to you by Sabine Priestley.

Book Description

Magic existed at the fringes until Prince Albert discovered he was a mage. Now he and others like him are leading a revolution in steam technology that’s held tight in the grip of the upper classes.

A man of half-Indian heritage, rejected by his upper-crust, mage-gifted family, Gregor Sherringford lives in working-class London, investigating cases involving magic among the lower classes. But he’s never met a client quite like spirited, stubborn Joan Krieger.

Joan’s dream was to lead a fashion revolution designing women’s clothing suited to the new technology. But when her richest client mysteriously dies outside her shop, it deals a mortal blow to her dreams.

She hopes the handsome, enigmatic detective can prove the death a magical murder. She never expected a dark plot would be woven right into the fabric of her family. Or that cracking the case will mean merging gifts, minds—and hearts—with the one man who could be her partner in every way. If they survive the release of a soul-binding curse.

Warning: This novel contains an intelligent, repressed detective and a woman who won’t take no for an answer, not when she hires him…and not when she falls in love with him.

Recommendation

This was a seriously enjoyable read. I prefer my heat level to sizzle, and this is sweet, but I loved it anyway. The writing is pretty tight, with minimal errors. The physicality was messed up a few times (for example someone sat when they’d already sat). I love the way Corrina writes, she has a strong voice that really works for me. I highly suggest this book!

Author site: Corrina Lawson: Writer, Mom, Geek & Superhero

Tuesday, October 21, 2014

Science Fiction: Not Always About the Spaceships by Corrina Lawson


      The stories I read during my formative years have had a lifelong impact on my writing, in particular, two short science fiction stories that are an obvious influence on my SF romance books. And in these stories, the SF part of the tale concerned strange new worlds here on Earth rather than among the stars.

      “To Ride Pegasus” was the first story I read that dealt with psychic powers in a SF, rather than fantasy, fashion, meaning that the psychic “Talents” all had a genetic (scientific) basis. Each Talent possessed not only a unique flavoring of mental powers but also had different strength levels. The “Talent” series, set in the contemporary world at first, is all about the discovering and harnessing these mental powers and protecting them from exploitation.
 
 

      I often describe my Phoenix Institute series, of which Ghost Phoenix is the latest, as my idea of

Marvel’s Mutant X-men. But “To Ride Pegasus,” McCaffrey’s three short Talent stories and the

novel Pegasus In Flight provided the clearest template for my own stories of introducing psychic-

powered individuals into the contemporary world.

      Later, as an adult, I read Julian May’s Galactic Milieu series. While May’s books do contain aliens and starships, the first book, Intervention, is all about people pushing back against those with just discovered mental powers here on Earth.

      Introducing a new element into the modern world isn’t the only subgroup of SF to be set on Earth. Alternate history has a long and proud SF tradition. The alternate world I loved growing up was part of a series of stories by S.P. Somtow, set in a world when the Romans conquered Native Americans. The Aquiliad stories appeared over the years in Isaac Asimov’s Science Fiction Magazine and each had a similar structure: an officious, blustering and not-too-bright Roman official would attempt to get the better of the “barbarian” Aquila, a Lakota Sioux. Each time, the wily Aquila outwitted the Romans.

      When I started to write a fantasy novel using Roman and Native American societies as a template for the fantasy civilizations in Dinah of Seneca, I remembered Aquila and decided to toss aside the fantasy idea and write alternative history instead. I added in Vikings too because the more societies that clashed, the better the conflict. And so the Seneca books were born. The second book, Eagle of Seneca, is my own personal tribute to Somtow, as eagle is “Aquila” in Latin.
 
 

      All these stories, including mine, belong to SF. They’re about how an unknown element affects a known world. Earth is able to reach the stars because of McCaffrey’s Talents. May’s worldmind summons the rest of the galaxy to Earth’s aide and opens a new world to them. Aquila’s steely determination and skills turn the Roman idea of barbarian upside down. In similar fashion, I’m bringing the psychics/superheroes of the Phoenix Institute more in the open with each book, changing my entire storyverse from our world into something else.

     So when you think of SF, remember that SF is more than spaceships and aliens. Remember that the best SF is all about change—sociological, technical or cultural--and the human reaction to that change.



Ghost Phoenix: http://amzn.to/YHTYHK


(This is my Amazon author page, which also has links to the Seneca books.)



Aquila stories by S.P. Somtow: http://www.sf-encyclopedia.com/entry/somtow_s_p

My website: corrina-lawson.com


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