Monday, December 1, 2014

Meet the #Author Monday - TK Anthony


Please tell us a bit about yourself: I had very red hair when I was young. The cinnamon has gone mostly salt, but the attitude’s still there. My husband and I enjoy travel, but we love coming home. Whenever I sit down at my laptop, my two cats are there to “help.” My chief addictions are reading, crosswords, Sudoku, music (singing & guitar) and baking. I enjoy quiet, and can’t stand to have the TV on all day.

Tell us about Forge: Book I of the Thrall Web Series: Forge is epic space opera spanning worlds, and the human heart.

The shared colony planet of Forge sits at the crossroads of three peoples. The reptilian folk of the Xern Cluster and the amphibians of the Tormin Accord, both mindblind races, are wary and suspicious of the psychically talented humans of the Scotian Realm. The Scotians loathe the indentured servitude—slavery in all but name—common in the Xern and Tormin cultures. Only the Scotian high king a and trusted few know of a vision foretelling the conquest of all three peoples by an unknown race of psychic predators...unless they overcome their mutual antipathy and join in common defense of Forge.

When the story opens, the hero is a mindblind and amnesic “izzy,” the indentured servant of a drunken, abusive Tormin. He’s called “Tazhret,” the Tormin word for “nameless.” His memory and talent were stripped by the illegal hallucinogen scoot, but visions of chains and slavery haunt him. But there’s also one bright hope: a beautiful dream-woman who tells him he has a good name. He desperately wants to believe her, even though he isn’t sure she’s a memory of someone real, or just another product of his hallucinations.

Real or vision, Tazhret loves her just the same, never dreaming they share a dark future pitting them against their Scotian high king, and the predatory psychics of the Khevox Dominion...with the fate of the three peoples hanging on the thread of their love. 

And when he finds his true name, and his true love...will he be willing to give it all up for something greater than himself?

What inspired you to write this particular story?: I’ve always been a writer, but not a creative one. Then I hit a very traumatic time in my life. My fragile-elderly mother broke her leg one week after I got laid off. Fortunately, I had a decent severance package. Instead of polishing my shoes and my resume and taking a much-needed vacation, I took on night-nursing duties, without benefit of any medical training. In the midst of all this, I got an image in my head of someone in a lot of trouble, and wondered how he got there, and what would happen next. I poured into the story a lot of my angst—and a lot of my beliefs regarding freedom, human dignity, and the power of sacrificial love—along with my awe of my mother’s heroism in battling through a lot of pain back onto her feet, when she could have just given up. “Endurance” shows up a lot in Forge. She’s the reason. Her Scots heritage is the reason why my heroes are Scots, too.

Please share a favourite snippet from your book: In the aftermath of his rescue from his Tormin master, Tazhret begins to heal physically, but still can’t remember his name, so he goes by “Ian Smith.” I loved writing this scene, where Ian finally discovers his dream woman isn’t a hallucination.  

He was warm and comfortable. Comfortable. Ian stirred a little, nestling down into a soft mattress, under a cozy blanket. So much better than staying out in the stables with the horses. He tried to roll on his side, but something secured him on his back, a blanket snugged about him. Ian opened his eyes, looked down at the restraints over his chest, stomach, and legs. Somewhat perplexed, testing the bindings and finding them firm, he looked around the dim room. Fluid from a medbag dripped into him through a patch on his left bicep. For a disorienting second, he thought he was back in the izzies’ clinic. No. This had the strange, sterile smell of a clinic, but it was a private room. There was a visitor’s chair. The window framing the moons on a patch of starry night had no grille to mar the view. His back wasn’t on fire from the whip, or the quick-heal bandages as soothing as brine on his ravaged hide.

He reached for his talent, and it came in a sluggish trickle and a stabbing headache. With a gasp, Ian shut it down and let the pain ebb away, resting under the restraints. Floating in a soothing sea, he didn’t open his eyes until the door clicked.

A tall and slender woman strode into the room with the grace of a dancer, and Ian forgot to breathe. A tunic in Scotian healer’s gold fell past her slim hips, belted over black trousers with the four-stranded azure braid of a Water adept. She came to his bedside, a smile turning up the corners of her wide, wonderful lips, dimpling her cheeks, crinkling the corners of her eyes—her large, luminous eyes, glimmering with brighter sparks of topaz and emerald in the softer glow of dark amber. Her nut-brown hair fell to the clean line of her jaw, framing her bonny face. Her perfect nose sat slim and straight between exquisite cheekbones. Her dark, winging eyebrows arched above her beautiful eyes.

Ian’s heart pounded, and he stared, slack-jawed. She’s real. I didn’t really believe. But…oh, Trinity, she’s real.

Which comes first for you – a character's looks, personality or name?: I think their situation comes first. I see someone in a lot of trouble, and then I discover who they are by how they respond to it. I’m not good at visualizing people, so I cast actors into the roles. Sometimes I change my mind if I see someone, in a movie or on TV, who just nails an aspect of the character; but Nathan Fillion was Tazhret from start to finish.

Any tips for aspiring authors?: Don’t confuse writing with editing. Never shut down the little voices in your head when you’re in full-bore creative mode. Get it all out where you can see it. The time to challenge, cut, or flesh out happens in editing.

Questions for fun:
If you had the power of time travel, is there anything you would go back and change? I wouldn’t go back. I’d go forward.
Why/why not?: Because hindsight is 20/20, and I could see what kind of life I’d created through my choices, and maybe make better ones.

What super-power would you choose?: The power of forgiveness. To really free yourself from other people’s worst moments, ill-wishes or outright malice is liberating.

If you could have three wishes, what would they be?: As a person: That I become who I am meant to be; that I help others become who they are meant to be. As a writer: That I get out of the way of my characters and let them be who they are meant to be.

Coffee, tea or wine?: Not coffee. Other than that, I’m pretty fond of liquids from tea to tequila.

What is your favourite book? (aside from one of your own!): Impossible to answer. ONE favorite book??? I could cheat and say “The Bible,” since there’s more than one book in there, and the stories are hair-raising, the poetry profound. But have you read Deuteronomy? Eye-crossing detail. Now, favorite author...I’d have to say Lois McMaster Bujold. She’s a master.

Favourite genre and why?: Science Fiction, especially space opera. Because it’s about the possible. It’s almost like having that time machine set on “forward,” taking you to places where you can see choices played out on the personal and societal level. In character-driven SF, moral choices in the face of temptation (i.e., “character”) and the human heart matter.

Favourite colour?: When I was a kid, my two favorite colors in the crayon box were teal and magenta (which I thought was “magneta”). I still like vibrant colors: green, gold, orange, red, purple. Just throw me some beads and call me Mardi Gras.

Upcoming news and plans for the future?: Finish editing Web of Destiny, the sequel to Forge. I’ve never written a sequel before, and I learned a lot from my editor on Forge, so revising Web of Destiny got off to a slow start. And then I had to stop long enough to explain why two of the characters hated each other so much, and that became a prequel novella, Seeds of Enmity (available on Kindle), which sidetracked me from WoD for a while. But I’m back to Web of Destiny now, and happy (at last) with the direction the book is taking.

Thank you so much for taking the time to talk to us!


Thank you so much for having me!

Blurb:
Warned by a Seeing… 

The high king of the Scotian Realm expects the arrival of an enemy, a race of psychic predators bent on galactic conquest. The Realm’s one hope is alliance with the neighboring star domains in defense of a shared colony, Forge. 

Caught in Fate’s grim weaving… 

Mindblind, amnesic, Tazhret lives out his drug-induced visions of servitude on Forge. He wants to believe the beautiful woman with the nut-brown hair who whispers reassurances to his harrowed heart: “You have a name.” But is she even real? Or just one bright thread in his dark dreams? 

An unexpected hope… 

Tazhret’s destiny leads him to freedom and the woman he yearns for—and to a desperate struggle against the enemy. 

Tazhret can save Forge, and his beloved. But only at the cost of all he has gained: his name, his freedom, and his love.


Buy links for Forge: 

Barnes & Noble - http://bit.ly/1uEXVdi
Decadent Publishing - http://bit.ly/1AeiUXv
Smashwords - http://bit.ly/1xMPoom

Twitter:       @TK_Anthony_
website:      www.scotianrealm.com

The SFR Brigade's First Advent Calendar #scifi #romance ##advent


This year we have a shiny new event starting for Christmas with the SFR Brigade - our very own advent calendar! For the next 24 days, you'll be able to open a door to see a gorgeous scifi romance cover from one of our members, and a little bit of information about the story behind that cover. The link will be posted daily to our Facebook fanpage right HERE.

Or you can go direct to the advent calendar page each day by going HERE. No cheating - each door will only open on the valid day, but you'll be able to see all the previous days as you go.

Enjoy!

Tuesday, November 25, 2014

Descripturbation: How to (and How Not to) Describe Characters

Hello hello!

Today I'm going to talk about one of the thorniest and most often-ridiculed issues in writing--character descriptions. Some authors describe every pimple, dimple, dent, and wrinkle of lace; some basically avoid description at all, which can leave readers feeling as though the characters are no more than wooden silhouettes with "Protagonist's Name Here" taped to them.

So, what does too much detail look like? 

Women's clothes often get the brunt of this. The men's clothes in the same works are often less elaborate, but have a look at the paragraph below.

"Her blue paisley dress had delicate puce and chartreuse ribbons on the puffed sleeves. The layered chiffon skirt was hooped, and numerous petticoats trimmed in yellow lace spilled out from beneath its voluminous edges."

Now, that's ugly, in many ways. There are too many adjectives, some passive voice, and the actual dress combination is pretty hideous. But fancy steampunk/Victorian dresses are easy to ridicule. What does overdescription with a male character in a more contemporary setting look like?

"His perfect nose was Euclidean and his brow was high and fair. He had deeply-set brown eyes with smooth lids, and his eyes twinkled under dark brows and short black lashes. His mouth was slender-lipped and his smile, very wide. His dimples dotted golden cheeks and the creases of his grin reached almost to his dark sideburns. Slick, anthracite hair that had been gelled into perfection flopped insouciantly off to the side.

His neck was slim but strong and his golden skin showed through the opening of his blue and white plaid button-down shirt, a real second-hand item, not a designer look-alike. His Gotye t-shirt had stylized doves and hands opening on it, and his jeans--which were fashionably worn and ripped, but had obviously been broken in--had a dove embroidered on the pocket as well. I stared at his Converse sneakers and fell in love."

As a friend said, "I just think it's kinda awesome that someone who writes so well can just as easily write so BADLY at the drop of a hat."

These two paragraphs are excessively detailed, to an irritating extent, because whatever else was happening in the scene stops DEAD to let the description show itself out.

"His brown eyes sparkled as he grinned at me. He ruffled his slick black hair and leaned back, his band t-shirt peeking through a plaid button-up."

This rewrite is a bit simpler, but it still gets the feeling across without stopping the action dead. It also makes the description more active, contextualizing his eyes and hair with expressions and an action.


What about insufficient detail?


My personal prejudice is that "less is more", but if a story is full of lush descriptions elsewhere, it's probably okay to let yourself go in the character descriptions. For first drafts, it's also okay to go a bit bananas--you can always cut things later. For those of us who write fantasy and sci fi, there are extra challenges, because the books exist in unique universes.

That said, it's often a good idea to trust the reader. They can imagine things, they know how tropes work, and it's okay to skim over descriptions a bit when referring to something that should be ordinary. Wastebaskets, for example, or toilets. Focus on what's different, not just what's the same. For both characters and the setting, it's often wise to add bits of description throughout the book, sprinkling them in. Using relative descriptions can also be helpful in keeping the reader immersed. One of the best things you can do is make a description active, so that the character interacts with their environment rather than being set apart from it. Here's an example.

"She smiled and stretched her long, tanned limbs. She was tall and stringy, and her grey-streaked black hair gleamed like steel in the light of the twin suns."

We know she's on an alien planet--possibly one with low gravity--and that she's an older woman already. It's not a lot, but it can go a long way. But that's the easy stuff--what about specific character description issues?

Source. This is a great resource.

How do we describe diversity without having to say, 'this character is black or Japanese'?


The best thing you can do is get yourself a colour palette of skin tones. Dark skin comes in many, many shades--there are some incredible resources to explain some of those shades.

"Her reddish-brown skin glowed in the sun, and she squinted, her full lips curving into a smile. She unholstered her pulse rifle and trained it on the scruff-rat leisurely, then fired."

Now, you could describe her skin as 'chocolate' coloured, but that kind of description has really fallen out of use. The problem with food-like descriptions is that it's othering and a bit creepy when all protagonists are edible. It's fine in small doses--and I've seen black authors use "almond eyes and chocolate skin" as descriptors, and "creamy" or "milky" skin do get used to describe white characters, but Asian characters don't have "teriyaki or sesame skin" and Latino characters don't have "corn tortilla" skin, Nor do, say, First Nations people have "pemmican complexions". The problem is that people are sometimes unaware that the way they describe others is fetishizing (which makes a person into an object) or just plain absurd.

When it comes to describing eye shape and colour, "almond" eyes are used a lot for Asian characters, but this has become contentious and annoying for the same reason mentioned above. The jury's out on good ways to describe monolids and epicanthic folds, but mentioning 'angled' eyes, 'crinkled' eyes, 'smooth' lids, deeply-set, or teardrop-shaped eyes are all possible choices. It's better to talk to someone from the ethnic background you're trying to describe if you're not sure. As always, research is your friend.


Any final words?


We'll all make mistakes. That's life, and that's writing. Experiment and do research, and run things by friends who can mock you safely (without being too mean) if you're worried that something sounds ridiculous. And, of course, there's always asking your editor or beta readers.


***
Thanks for dropping by the nest once again. Leave your comments, rebuttals, and vehement agreements below. Don't miss any of the phuquerie. Find Michelle on TwitterFacebook, and on Tumblr, and find her work on Amazon. Check back on the blog to see when one of the irregular posts has careened onto your feed. This is the one and only SciFiMagpie, over and out! 

SFR Brigade Library Updates

All Hands On Deck!

You know the drill, Brigaders. You've been busy writing new space adventures for us to read and that means we need to get the library organized to show off your best work. We love to have our authors listed, and we love to share the library with new SFR readers who don't know where to start. So help us out and send your titles in today! 

Send Liana an email with the following information:

Title:
Genre: Action/Adventure, Anthology, Comedy, Cyberpunk/Speculative, Military, Near Future, Paranormal, Simply Romance, Space Opera, or Not Romance
Heat Rating: Sweet (fade to black), Hot (sex on screen), Erotic
Author Name: 
Buy Link: a link to your website or some other page featuring the book
Release Date: For new books or any books coming out between now and March 1, 2015

liana . brooks1 at gmail dot com

If you send an email and don't get a response you can track Liana down on Twitter. Look for @LianaBrooks and tell her to check her spam folder.

Note From Liana: Guys, I will be on leave from the Brigade from mid-December until mid-January. Any Brigade Library updates sent after December 10th will not be added to the library until late January/early February.  If someone volunteers to be the Brigade Librarian for that time frame we will post an announcement here and on the FB page.

Thank you for understanding.
- L

SFR Brigade Bases of Operation