Showing posts with label Space Opera. Show all posts
Showing posts with label Space Opera. Show all posts

Thursday, December 6, 2018

SFRB Recommends #87: Warleader by Susan Grant

Finn Rorkken is an infamous Drakken warleader.

Brit Bandar is the Coalition's greatest military commander.

Now they're forced to serve together on the same starship.

The mission: diplomacy.

The objective: keeping the peace.

Not so easy to do when your sworn enemy is living next door.

Welcome to the Borderlands, where rules are meant to be broken…


A decade ago, I read Moonstruck by Susan Grant, and the story and characters utterly captivated me, so I was very excited to see a brand new release largely based on the original story, but with an all new title and awesome new cover.

Admiral Brit “Stone-Heart” Bandar is a tough-as-nails military leader who is secretly struggling with a past tragedy. Unfortunately, her new orders from the Coalition will test her toleration to the breaking point.

Finn Rorkken is a warleader for the opposing side, once known as the Scourge of the Borderlands, but now being given an unexpected new mission--serve at the side of the very enemy he once matched wits with.

I found this enemies-to-lovers tale between two strong-willed characters with a galaxy of barriers to overcome, a compelling, action-packed and memorable read, with some well-timed gems of humor. Warleader is the first book in the Borderlands Series.

This recommendation is by Laurie A. Green
Book site: Warleader


Tuesday, June 5, 2018

Not Fade Away Puts Heroine On The Edge by @DonnaSFrelick


Hi, I’m Donna S. Frelick, and for those of you who don’t know me, I write Romance at the Edge of Space and Time, most notably the Interstellar Rescue series of SFR novels. 

Now, you might think that “edge” would mean the far boundaries of the deep galaxy, where so much of space adventure happens—distant planets, uncharted systems, wormholes to nowhere you’d want to be. And, yes, some of what I write takes my readers to those parts unknown. In Fools Rush In, the third novel in my stand-alone series, (and a 2016 SFR Galaxy Award winner), my characters spend all their time on that final frontier, a familiar one for fans of space opera.

But there is another kind of boundary at which different worlds may meet. On one side of this invisible frontier, the world we think we know seems familiar and “normal.” We go to our jobs, we live our lives and the future seems predictable. 

On the other side of that boundary, what I call “the edge of space and time,” what Rod Serling called “The Twilight Zone,” what others might have called “The Fringe,” contemporary SFR, or material for “The X Files,” the world is turned upside down. Aliens are real. Earth is a backwater, unaware a battle rages in the stars overhead. Between interstellar slavers and those who would end the evil trade. Between those who would exploit Earth and those who would save it.

The heroine of my latest novel, home care nurse Charlie McIntyre, crosses that invisible boundary without knowing it when she takes on a new client and his handsome son. Here’s the blurb for Not Fade Away, Interstellar Rescue Series Book 4, launching June 12.

Earth shielded his secrets--
Until her love unlocked his heart.

Rescue agent Rafe Gordon is human, though Earth has never been his home. But when his legendary father Del becomes the target of alien assassins, Rafe must hide the dementia-debilitated hero in the small mountain town where the old man was born—Masey, North Carolina, USA, Earth.

Home care nurse Charlie McIntyre and her therapy dog, Happy, have never had such challenging clients before. Del’s otherworldly “episodes” are not explained by his diagnosis, making Charlie question everything about her mysterious charge and his dangerously attractive son. Rafe has the answers she needs, but Charlie will have to break through his wall of secrets to get them.

As the heat rises between Charlie and Rafe, the deadly alien hunters circle closer. The light they seek to extinguish flickers in the gloom of Del’s fading mind—the memory of a planet-killer that threatens to enslave the galaxy.

 This excerpt from Not Fade Away shows a moment when Charlie begins to realize she may be standing on that edge—one she never knew was there before.

Above them the sky was full of stars, the cross-section of the Milky Way slashing through the diamond-studded dome overhead. There was no moon tonight to detract from this heart-stopping view of the heavens; no lights from nearby towns; no fire built against the cold. It might be just the two of them, the only humans on Earth, looking up at that magnificent display of creative power.
“It’s beautiful up here. Quiet.” Though Rafe’s voice was nothing more than a soft murmur, it seemed loud in that place. 
“Mmm.” It was a while before Charlie said what she said next. “Just think of all those stars. Maybe all those other worlds circling them. Wouldn’t it be wonderful to go there? To see what’s out there in all that wide space? What would it be like?”
Beside her, Rafe tensed. “Don’t you imagine long ago the tribal people in Africa stood on the western shore and looked across the ocean wondering what was on the other side before the slavers came for them? Be careful what you wish for.”
She sat up to look at him. Even in the darkness she could see his features had hardened, his jaw clenching, his lips compressing as in pain.
“Well, that was quite a jump.” She tried to keep her tone light. “What are you talking about?”
“There’s a scientist—Stephen Hawking—ever heard of him?” When she nodded, he went on. “He said once that you should pray Earth never does encounter alien beings. They will almost certainly be more advanced than you and out to do you harm.”
She noted the use of “you,” not “we” or “us.” Her pulse kicked up, and she shivered inside her warm jacket. Had she spent the evening with some kind of UFO nut?
She smiled, trying to distract him. “You sound like you have direct experience, Klaatu.”
He didn’t smile back. “Don’t need experience to agree with the guy. Maybe I just don’t like the idea of something snatching us up off this sweet little planet.”
 “But there could be good aliens, couldn’t there?” She was optimistic enough to believe it. Of course, there would be differences in alien civilizations—of culture and language. Of technology. Of biology, certainly. But there would always be good and evil, in any society. “Like E.T. Or Superman?”
His brows came together in a frown. “Not the kind of aliens I’m talking about. I don’t think.”


Donna S. Frelick has been a journalist, a Peace Corps Volunteer and an author of STAR TREK fan fiction. She was an RWA® Golden Heart® Double Finalist in 2012 for the first two novels in her contemporary SFR Interstellar Rescue series, and a 2016 SFR Galaxy Award Winner for the third book in the series, Fools Rush In.
Find her at http://donnasfrelick.com; blogging at http://spacefreighters.blogspot.com; on Facebook at http://www.facebook.com/DonnaSFrelickAuthor and on Twitter @DonnaSFrelick.



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Interstellar Rescue Squad Facebook Group Page: https://www.facebook.com/groups/963997450356186/





Tuesday, October 18, 2016

WHAT IS SPACE OPERA NOIR? AND HOW CAN I GET SOME?



What would you get if you combined the literary DNA of STAR TREK, FIREFLY and BLADE RUNNER? Space opera noir, that’s what! And the third book in my Interstellar Rescue series, Fools Rush In, which launches today.

If you write SFR you probably cut your teeth on some form of space opera—TREK, STAR WARS, BATTLESTAR GALACTICA, or any of the science fiction written by the rocket-happy guys of the Golden Age of SF. The term, of course, comes from the old days of radio, when laundry detergent sold radio plays aimed at housewives: “soap operas.” Similarly melodramatic Westerns earned the term “horse operas.” And naturally when square-jawed heroes and buxom heroines took to space in serials like BUCK ROGERS, they fought nasty aliens in “space operas.”

You might have to be a movie fan to know the term “film noir,” though. Technically it’s applies to mystery/thrillers made in the late Forties and Fifties using low lighting (thus “noir” or black), shadowy settings and dramatic use of black-and-white cinematography as a symbol of the dark underbelly of the lives the films portrayed. One of the best examples of this film style is THE MALTESE FALCON, starring Humphrey Bogart as private eye Sam Spade. The action is fast, the dialogue is snappy, and it always seems to be either night-time or raining in usually sunny L.A.

Filmmaker Ridley Scott used this style when he made his classic film adaptation of Phillip K. Dick’s story “Do Androids Dream of Electric Sheep?” as BLADE RUNNER. It’s always raining here, too, drenching the teeming alleys of the dark, violent city, and weird surprises lurk in the shadows. (Scott used darkness and shadows to the same, startling effect in ALIEN.) In BLADE RUNNER, though, the noir aspect conveys “lack of resources” as much as violence and sudden death. You can imagine that those alleys are cold, as well as dark.

The universe of Fools Rush In has its own kind of darkness. Life in space, especially for the book’s hero, pirate captain Sam Murphy, and the crew of his ship Shadowhawk, is a constant battle for scarce resources—energy, food, water, air, credits, spare parts. Sam lives on the edge of legality, and he’s well-versed in the arts of negotiation, smuggling, black-market trading, even outright theft. He’s very comfortable in that criminal underbelly so many noir  films depict, and yet he is a man of principle. He has his own code of ethics and standards of behavior. He follows those standards himself and he demands them of his crew, even as they move through some of the ugliest ports in galaxy.

The book’s heroine, Rayna Carver, has seen her share of darkness, too. She works undercover as an agent for the Interstellar Council for Abolition and Rescue, putting herself at risk in alien slave labor facilities to help extract slaves, organize resistance and undertake sabotage. She’s driven, dedicated and full of never-say-die enthusiasm.

But these two show more kickass space opera DNA than world-weary film noir characteristics. They meet their challenges head-on, with swashbuckling brashness and bare-knuckled determination. It’s just not in either one of them to give up or to surrender—even to each other!

So, given their penchant for action, Fools Rush In has plenty of space opera fun along with its shadowy noir murders and mysteries—space battles, fistfights, onboard explosions, even evil aliens.  Somehow, Sam and Rayna seem to handle it all with aplomb—and still find time for hot romance!

Here’s the official blurb for Fools Rush In:

She thought she had the toughest job in Rescue—
until the day she had to convert a pirate into a hero.

Interstellar Rescue “conductor” Rayna Carver is deep undercover on a slave ship bound for an isolated region of space when the ship is attacked by pirates. Her liberator is Captain Sam Murphy, a man known in the spacer bars to love only profit, adventure and women.

But Murphy hates a few things, too, chief among them slavers. Will it be enough to gain his help for Rayna’s mission—ferreting out two spies bent on sabotaging an arms factory to turn the tide in an alien civil war?

Get your copy today on Amazon!

And, BTW, if you need to catch up on either of the two other books in the series, Unchained Memory will be on sale for $0.99 on Amazon for one more day. Trouble in Mind will be on sale on Amazon for $0.99, just until tomorrow. Hurry to get yours!

Cheers, Donna


Donna S. Frelick has been a journalist, a Peace Corps Volunteer and an author of STAR TREK fan fiction. She was an RWA® Golden Heart® Double Finalist in 2012 for the first two novels in her contemporary SFR Interstellar Rescue series. Book 3 in the series, Fools Rush In, launches TODAY from INK’d Press. 

Find her at http://donnasfrelick.com; blogging at http://spacefreighters.blogspot.com; on Facebook at http://www.facebook.com/DonnaSFrelickAuthor and on Twitter @DonnaSFrelick. 

 






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