Showing posts with label The Badari Warriors. Show all posts
Showing posts with label The Badari Warriors. Show all posts

Tuesday, March 26, 2019

Revisit My Debut Year? No Thanks! By @vscotttheauthor


By Veronica Scott
 

(Parts of this post appeared originally on the SFF7 blog…)

A group blog for which I write regularly asked the question what would you change if you could go back to your debut year as an author. As we’re coming up on my 7th anniversary as a published author, I thought it might be fun to update that post. I also just released my 27th book this week, so I feel pretty good about my progress.

“If I could go back to my debut year…”  Um, why on Earth would I want to do that LOL?

My debut year was fun and sparkles and I DID get The Call, the actual CALL, from Angela James at Carina Press, to say they wanted to acquire Priestess of the Nile, which I had sent in response to a note on their website about wanting Ancient World romances. I was basically incoherent on the phone with Angela that day because I was so excited and thrilled.

That first year was so much fun because I had no expectations, knew  nothing really about the publishing industry or the ebook industry – Priestess came out as an ebook and an audiobook in 2012 but I did understand that status from the getgo (i.e. there’d be no print version) – and it was all fun and exciting. I think my view of the publishing world was still somewhere between Jo of Little Women up in her attic writing for a penny a word and Joan Wilder in “Romancing the Stone”, you know? I didn’t belong to RWA, I wasn’t in any author groups online, I only knew one other published author at the time.

I had a fulltime career at the NASA/Jet Propulsion Laboratory on the business side of the house and this, having Priestess published, was a lifelong dream for me. In March, 2012 I also self-published Wreck of the Nebula Dream (“Titanic in space…”), so there I was with not one but two books out there and more to come in due time, I was sure. I had READERS. I had REVIEWS. Oh my gosh.

In that debut year I learned about blogging, the ins and outs of social media, fell in love with twitter,  worked with a fabulous editor (Allison Dasho), I joined RWA, I went to the national conference and met PEOPLE, I had a Carina Press balloon on my signing table, the Harlequin people came and talked to me, I was actually in the same room as Nalini Singh, signing books (the conference was in Anaheim so there were local people I l knew who came, who kindly had me sign for them). I was too shy to actually approach Nalini, which is amusing to me now and she is the sweetest person, easy to talk with. Her table was actually EMPTY of fans for a few minutes while she sat there and I was still too shy to walk up to talk to her! But then I was just in awe of breathing the same actual air as my favorite author.

So that debut year was all kinds of fun for me, in part because I didn’t have expectations about anything. I didn’t want an agent. I wasn’t angling for a contract with a traditional publisher. I had no thought of being able to quit the challenging and enjoyable day job. I was simply basking in the state of actually being a published author.

Now, if it was all so much fun, then you may ask why I don’t want to go back to 2012?

Well, I only got the two books out that year. I wrote another one for Carina, got a Revise & Resubmit letter, which was something of a surprise to me (welcome to the world of publishing LOL), and even after they did acquire it, the process to get it published was wayyyy longer than I impatiently expected…I decided self-publishing was my thing and scifi romance was my primary genre…I got bitten by the bug to hey, maybe work up to being a full time author (which took me three more years to accomplish)….

So the debut year was a very special time in my life and my memory, and I cherish all the experiences but I have no desire to relive it again. I like new adventures. I’m happy with having more detailed and concrete goals as an author, I like being deep in the scifi romance author community, I love self-publishing…lots more stories to tell and I’m always moving forward.

But thanks again to Carina Press for my start, and for the memories!

I think the one thing I’d tell myself in 2012 would be to write more books. Pronto. That self-publishing was in a gold rush mode thanks to the kindle and other ereaders and there were hungry readers out there needing content.  I was busy having fun, going to conferences, writing columns for USA Today/HEA and there’s nothing wrong with all of that but for the long term, long game as an author, the backlist needs to be hefty and healthy. I also should have buckled down and learned a lot more about advertising in various venues. I was good on social media and blogging (big at the time) but I could have done more, especially in the area of setting up a newsletter.

Of course all of that would have been drinking from a firehose for me as a brand newbie published author then and probably too much to absorb. Slow and steady did get me to the point where I was releasing 4-6 books a year and could go fulltime…

Would you do anything different in your debut year? What would you tell yourself as far as advice you wish you’d known then?




This week I published the seventh book in my Badari Warriors world, Kierce: A Badari Warriors SciFi Romance (Sectors New Allies Series). Here’s the blurb: Elianna McNamee, spaceship engineer, is far from her home in the human Sectors, kidnapped along with all her shipmates to be used for horrifying experiments conducted on a remote planet by alien scientists. 

Her captors decide to toss her in a cell with a ferocious predator, expecting him to kill her…but Kierce, the Badari warrior in question, has too much honor to mistreat a human woman. The trouble is, he’s trapped in a form drastically different from his own as a result of twisted genetic meddling and hiding dark secrets to save other Badari lives.

Able to become a man again briefly with Elianna‘s help, he and Elianna bond over their mutual hatred for the enemy but when rescuers finally arrive, the pair are separated by well-meaning Badari authorities.

Kierce struggles to overcome flashbacks from the torture and drugs the alien scientists inflicted on him. He and Elianna despair over whether he’ll ever be able to regain his rightful place as a man and a soldier in the pack, much less be ready to claim a mate.

Elianna accepts a risky but essential assignment far away from where Kierce is being held, working with another man who’s more than professionally interested in her. Her heart belongs to Kierce and she can’t forget their two nights of shared passion but will that be enough to lead them to a happy reunion?

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Author Bio and Links:

USA Today Best Selling Author

Veronica Scott grew up in a house with a library as its heart. Dad loved science fiction, Mom loved ancient history and Veronica thought there needed to be more romance in everything. When she ran out of books to read, she started writing her own stories.

Seven time winner of the SFR Galaxy Award, as well as a National Excellence in Romance Fiction Award, Veronica is also the proud recipient of a NASA Exceptional Service Medal relating to her former day job, not her romances!

She read the part of Star Trek Crew Member in the official audiobook production of Harlan Ellison’s “The City On the Edge of Forever.”




 


Tuesday, June 12, 2018

Have You Written Too Much of a Good Thing? by @vscotttheauthor



 888

Have You Written Too Much of a Good Thing?
By Veronica Scott

I’ve been judging romance author contests again this year, for unpublished manuscripts, and I have a few thoughts based on common issues I’m seeing.

NOTE: I won’t discuss any specific entries I’ve seen in the contests and any examples I give here will be hypothetical, invented by me based on exposure to a ton of manuscripts, not from actual contest entries. 

A theme this year in what I consider to be problems is the issue of the author doing too much. 

What I mean by this falls into several buckets. First, many authors including myself do a lot of research. Even for our scifi romances set on other planets, we may research all kinds of topics from viruses to rare birds to extreme environments. The author ends up with a lot of arcane information that actually won’t ever appear in the plot but which undergirds the reality of the world and is intended to help the reader feel the authenticity. So far so good. Where it becomes a problem is when the author can’t help themselves and has a character or two spend inordinate amounts of time explaining why the xyzfisher birds of Planet Marvelous 6 have the unusual nesting habits they do and what their favorite plants are, which leads to a discussion of exobotany as well, for example. If the information doesn’t advance the story, trim it out (don’t delete it – word building is important – but don’t overwhelm us either)! If your characters are going to hide out in an xyzfisher nest, then ok, maybe you can provide a bit more relevant detail for us.

You know how a backstory infodump is a bad thing and stops the book’s momentum dead? Well so does a too detailed, shiny research-inspired infodump.

A variation on this is the inclusion of a nice scene that’s really kind of pointless on the overall plot when you stand back from the book, but which allows the author to showcase a whole bunch of research. I wish I could share the last two examples of this that I saw but alas, I promised no real examples. The scenes were well written, polished gems and carried the reader along…for a while, until I said, wait a minute, why the heck am I so deep into the step-by-step technique for creating gilded ceramic seashells (made up example) when all that’s really needed is a one or two sentence mention that the hero has a couple on the shelf in his spaceship’s control chamber??? If these gilded knickknacks are actually going to be a plot point – the heroine throws them at him in a fit of pique or ransoms him from evil aliens using them or something – then GREAT, but again, no need for a long drawn out scene starting with the gathering of the right river sand with the appropriate silica content…

If you’ve developed 500 years of history for your complicated fantasy or scifi world and drawn the maps and traced the genealogy, okayyyy…but please don’t start the book with that. Unless you’re Tolkien or Asimov, I guess. Save it for a guest blog post, a ‘deleted extra’ for the newsletter or an author’s note on your blog…anywhere but that precious real estate of the “Look Inside” feature on Amazon, where some readers are going to sample the book, yawn over the dry and meaningless-to-them-at-this-stage history lesson and go away without one clicking because they never got a taste of the real story your blurb promised. The odds are good they won’t be back for your next book either.

The second place an author can do too much of a good thing is with the extra touches. Introducing us to every resident of the colony and their phobias, pets and backstories as the heroine strolls from the spaceport to the bazaar in the first chapter, for example. Who does she actually need to interact with, that we need to remember? Make those few people ‘real’ for the reader with the names and a relevant detail or two.

The times I’ve seen this kind of thing done recently (in more than one unpubbed manuscript, of varying genres) I kid you not – there were pages of this type of encounter and the mind boggled. Well, this reader’s mind boggled anyway. As with everything, your mileage may vary.

The third category of too much of a good thing is a scene that you the author are loving writing and have so many more cool, nifty ideas to add into that one scene that you just keep going and going and going…um, what was the plot of the book itself again? Why have we now spent fifty pages in Esmeranne’s back yard fighting off an endless horde of alien mercenaries, each with his/her/its moment in the twin suns, complete with unique weapon and method of fighting? Unless you’re going to be selling action figures online, maybe trim back to two or three key bad guys, let her beat them or they capture her after a nicely choreographed fight scene and let’s move along.

Have I ever done any of the above? Oh undoubtedly! I especially have to resist being a walking treasure trove of ancient Egyptian lore and not inserting ALL of it into my books because it is so freaking COOL and I know you’d love to know all of it too. Wouldn’t you? (Peers hopefully into the computer screen waiting for permission to start the data dump…) Okay, maybe not then.

I do realize that there are readers who relish more in depth world building and sharing of infinite details than I personally do. What I try to caution against in my contest feedback is getting carried away with the sheer joy of having created all these nifty things/names/words/scenes and allowing them to overwhelm your book’s momentum, especially in the crucial first few chapters. The reader is there for the story you promised in the blurb, with the main characters facing difficult times and decisions, with high stakes.

Don’t give in to the temptation to add too much other fun stuff and cause the actual story (and the hero and heroine) to go drifting away from the reader’s attention.

888
 



Veronica Scott is a USA Today Best Selling Author, whose most recent book is JADRIAN: A Badari Warriors SciFi Romance, with genetically engineered warriors of the future and the human women who love them…

“SciFi Encounters” columnist for the USA Today Happy Ever After blog, Veronica Scott grew up in a house with a library as its heart. Dad loved science fiction, Mom loved ancient history and Veronica thought there needed to be more romance in everything. When she ran out of books to read, she started writing her own stories. 

Seven time winner of the SFR Galaxy Award, as well as a National Excellence in Romance Fiction Award, Veronica is also the proud recipient of a NASA Exceptional Service Medal relating to her former day job, not her romances!

She read the part of Star Trek Crew Member in the audiobook production of Harlan Ellison’s “The City On the Edge of Forever.”


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JADRIAN Blurb and Buy Links: 

Taura Dancer has been pushed to her limits by alien torturers known as the Khagrish and is ready to die when suddenly the lab where she’s held as a prisoner is taken down by an armed force of soldiers.

The man who rescues her from a burning cell block is Jadrian of the Badari, a genetically engineered alien warrior with as many reasons to hate the Khagrish as Taura has. This set of shared past experiences and the circumstances of her rescue create an unusual bond between them.

Safe in the hidden base where Jadrian and his pack take her, Taura struggles to regain her lost memories and overcome constant flashbacks during which she lashes out at all who come near. Only Jadrian can recall her from the abyss of her visions and hallucinations.

As the war against the Khagrish continues, it becomes increasingly critical to find out who she really is and how she can help in the fight. Until she can control her terrors and trust her own impulses, Taura’s too afraid to pursue the promise of happiness a life with Jadrian as her mate might offer.

When he’s captured by the dreaded enemy, will she step forward to help save him, or will she remain a prisoner of her past?

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