Think about some of your favorite
science fiction romance books. What exactly brought that story to
life for you? Characters, plotline, and motives all play major parts
in any novel or story but without a world for them all to
exist within none can work. Worldbuilding is an exciting aspect of
writing science fiction romance. This is where you can mix and match
geography, civilizations, social, legal and cultural mores to create
an entirely new world or just enhance the one we live in now or will
live in shortly. You can create an alternate Earth and set it in any
past or current time you desire.
When I started The Brede Chronicles I
decided there would be only two main settings: 2107 Earth and the
planet of Amphidia. This is where the thinking comes in. Because I
love Egypt and the Middle East I decided that one of the main plots
of this story would take place in Egypt one hundred years from now.
What has remained over the millennia and what has been removed? How
has the environment changed? What is still considered wealth and what
is considered poverty?
I wanted it split level: the rich
stayed in megalithic, one thousand plus storied buildings so huge
each one held at least one if not two or three docking bays for
interstellar and local flying vehicles—sort of parking structures;
the poor however lived at street level, in cities (that actually
exist today) comprised of mountains of garbage and discarded items
which the residents sifted through to recycle anything they could
find for money. But I also wanted the atmosphere of ancient Egypt so
I kept the souks (bazaars & marketplaces) that also to this day
sell livestock, food and cloth material. That stayed.
Opposite of that was Amphidia where
Alekzander Brede was born. That planet had to be different—vastly
different than New Cairo, Earth. It had rivers that dwarfed the
biggest on Earth and grew trees twenty stories tall. Physical power
and prowess constituted wealth not gold or money as on Earth.
But now to you, the author: you didn’t
think I’d leave you without tools did you? Of course not! Unless
you’re Colleen McCullough who can research ancient history like
nobody’s business, you might need a slight…assist…in
developing your world. Prompts are great but many times don’t
really help in creating an entirely new world or worlds so I’ve
compiled a few of my favorite old and new world building generator
sites and their links.
From the looks of it they’ve revamped
the home page with uber instructions on how to use generators and
they now list all the other major or great generator sites as well.
Seventh Sanctum generates names, planets, races, powers or abilities,
and technology—a must for any serious science fiction author.
Chaotic Shiny is amazing! You can
generate anything from monetary terms and values to laws, languages,
gods, motives, superstitions, places (i.e. arenas), plots, and even
accessories!
About P.I. Barrington:
After an extended detour through the
entertainment industry, P.I. Barrington has returned to fiction
author. Among her experience are journalism, radio air talent and the
music industry. She lives in Southern California.
Her work includes:
Future Imperfect Trilogy (Crucifying
Angel, Miraculous Deception, Final Deceit) Desert Breeze Publishing
Inamorata Crossing/Borealis 1: A Space
Opera, Desert Breeze Publishing
Isadora DayStar (self-published)
The Button Hollow Chronicles: The Leaf
Peeper Murders, Mainly Murder Press
Free stories on ReadWave.com &
Wattpad.com
She can be contacted via email:
pibarrington@dslextreme.com
or pibarrington@yahoo.com
.
Her blog: http://www.pibarrington.wordpress.com
Brede
Chronicles Back Cover Blurb FRP
Half-human
Alekzander Brede is a law unto himself…or so he thinks. Elektra
Tate, the street orphan who loves him has other ideas. When she
betrays him for no apparent reason, he vows to punish her one way or
another. Taking the one thing she treasures most—their son—begins
a cat and mouse relationship spanning two planets and costing
possibly his life. Elektra will stop at nothing to save her son but
can she overcome Brede’s twisted idea of vengeance?
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