Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Tuesday, July 21, 2015

World Building – the Pantser Way

by Diane Burton


In any genre, the world our characters inhabit add a richness to our stories. In contemporary stories, we can visit the world, or perhaps we live in a similar village, town, or city. In science fiction, we have all kinds of possibilities. We can decide everything about our world. The type of government that rules, religion, vehicles, food, creatures, climate, employment, day-to-day activities. The galaxy is our playground.



Our methods of determining our worlds are as diverse as our writing methods. Those writers who are plotters will set up their world first. Just as they outline their plot and do detailed analyses of their characters, they will write out all aspects of their world before ever writing a word of their story.



Pantsers have a different way of setting up their worlds. Since I’m more of a pantser than a plotter, I determine my world as I go. As with any details, I must keep track, especially if I’m writing a series. As the series progresses, my imaginary world expands. I may start out with a vague idea of the culture, but I’ll keep adding details as the story demands. I’m sure to a dyed-in-the-wool plotter my methods seem haphazard or random. But it works for me.



Whether your world evolves along with your characters or is fully fleshed out before you write “Chapter One,” make sure you are consistent. Decide the rules. Make sure your characters abide by those rules or have a darn good reason for breaking them.



In my upcoming science fiction romance, The Protector, I already established the culture in two previous books—a central government with representatives from several planets and that area beyond the reach of that government, the Outer Rim. I modeled my world after the frontier in 19th century America. The colonies are still pretty wild with people who want to get away from the “civilized” world and want to be left alone. Then I threw in a gangster who capitalizes on the lack of law enforcement. The conflict possibilities are endless. In each of my Outer Rim novels, a strong woman foils the gangster’s plot to rule the galaxy.
 
 
 



Here’s the blurb for The Protector:

After tavern owner Rissa Dix rescues two girls from a slave ship, she must rally the townsfolk to prevent traffickers from raiding the frontier colony. She’s met with apathy and disbelief. Because she lost her own baby to traffickers, she’s determined that no other mother will suffer the same heartache. Industrialist heir Dillan Rusteran aids her in rescuing more children. Little do they know they’re about to tangle with a trafficking ring that puts Rissa in danger. Dillan’s loved her for ten years despite her claim she’s too old for him. As they fight the traffickers, will she finally see him in a new light?



The Protector will be released this summer.


 



Diane Burton combines her love of mystery, adventure, science fiction and romance into writing romantic fiction. Besides the science fiction romance Switched and Outer Rim series, she is the author of One Red Shoe, a romantic suspense, and The Case of the Bygone Brother, a PI mystery. Diane and her husband live in Michigan. They have two children and three grandchildren.

For more info and excerpts from her books, visit Diane’s website: http://www.dianeburton.com

Connect with Diane Burton online








Sign up for Diane’s new release alert: http://eepurl.com/bdHtYf




Note: The views expressed are solely those of the author, Diane Burton, and not the SFR Brigade.

Wednesday, May 27, 2015

Being a Happy Writer

September 13, 2013
Hyatt Regency
Indianapolis, Indiana, USA

2013 was a year of great change for me on the writing front. Over the preceding twelve months I'd finished two SFR's, made it to the third round of the big 2012 Harper Voyager open call with the first draft of My Name Is A'yen, semi-finalled in a contest with an inspirational historical romance, found out I was going to be an aunt for the first time, and lost my grandmother at whose house I'd rediscovered my words in 2011. I was trying to figure out where I was supposed to go next on the writing front.

Should I keep trying to fit into the inspirational romance box? Should I embrace all the strange places my SFR was taking me? Should I keep trying to do submit My Name Is A'yen to publishers, hoping for more than a form rejection? Should I keep my membership in the Christian writing organization? Should I go to their conference that year or should I stay home?

At the beginning of July, one of my friends emailed me saying they needed a third roomie at said conference and was I interested. Every penny I needed for the trip came together in about four days, including the cheapest airplane ticket I've ever seen. So I went. And had the best writing conference of my life, to date.

I went for one reason: James Scott Bell's all day class called Quantum Story. I had no idea what all it was going to cover, but I wanted to be in it. As awesome as his craft books are, learning from him in person is even MORE awesome.

But before the class on Friday, I had to sit through the first keynote address and the opening of the conference. Remember, this is a Christian conference. The biggest Christian fiction conference in the country, possibly the world. The entire theme of the conference that year was how Christians couldn't write anything but Christian fiction. That ticked me off, but I was there for Jim Bell's class and to see some friends I hadn't seen in a couple of years. Not the keynote speaker and activities designed to stuff me in a box I had grown to hate.

I sat down in the class on Friday morning with no idea what we were going to cover. It turned out to be the class his Write Your Novel From The Middle book is based on. It changed the way I approach story structure and plotting, and it's awesome! If you're a writer, go buy it.

The last forty-five minutes of the class, Jim sat down and talked to us about something he feels strongly about: finding your writing joy. Everything else I had heard so far at the conference, about how I didn't belong anywhere else in the market and Christians had no business writing general market anything let alone steamy general market romance, disappeared. Jim said we needed to find the genre and market that brought us joy. Because joy in the writer becomes joy in the novel, and readers can sense it.

I sat there listening to him, and started comparing my experience writing the historical romance versus writing My Name Is A'yen, The King's Mistress, and half of To Save A Life. While I enjoyed the historical romance, trying to fit myself into the box that came with it had sucked all the joy out of my writing. When I wrote My Name Is A'yen, it was totally different. I wrote every day. I WANTED to write every day. I couldn't wait to see what was going to happen next.

I found my writing joy. And I went up to him after the class, thanked him for talking to us about it, and told him I'd found my joy. He about squeezed my hand off he was so happy for me.

At that conference, I decided I no longer belonged in the inspirational market. It didn't know what to do with me and my love of focusing on the hero. SFR did know what to do with me, and I could write whatever I wanted with no judgment and no one peering over my shoulder saying I couldn't open a novel in the hero's POV. (yes, that happened to me)

The next evening while sitting in the hotel lobby with my friends and enjoying a Cosmo, every single one of them remarked on how happy I looked. So I told them what I'd decided. Every single one of them cheered me on. When I left that conference, I left the inspirational market. I've never looked back, and I don't miss it.

The secret to being a happy writer is writing what brings you joy. For me, that means hero-focused romance. My novels are deep and complex, and deal with heavy themes. But when you look past that, you'll find an author who's in love with words and having the time of her life.

It doesn't matter what ups and downs I go through, or what the market does. As long as I stay in my writing joy, the words pour out of me. And I don't want it any other way.




Rachel Leigh Smith writes romance for the hero lover. She lives in central Louisiana with her family and a half-crazed calico. When not writing, which isn’t often, she’s hanging with her family, doing counted cross-stitch, or yakking about life, the universe, and everything with her besties.
The third A'yen's Legacy novel, To Save A Life, released on May 4th. All the buy links are here. You can find her at www.rachelleighsmith.com.

Disclaimer: The views and opinions expressed in this guest post are solely that of the author and not of the SFR Brigade.

Tuesday, May 19, 2015

Avoiding faux pas about cryptography - guest post by @AmeliaGraceTrea

A very short primer on attacks and methods.


“I may mention here that radio-aerograms are seldom if ever used in war time, or for the
transmission of secret dispatches at any time, for as often as one nation discovers a new cipher, or invents a new instrument for wireless purposes its neighbours bend every effort until they are able to
intercept and translate the messages. For so long a time has this gone on that practically every possibility of wireless communication has been exhausted and no nation dares transmit dispatches of importance in this way.”

Edgar Rice Burroughs, The Gods of Mars.

John Carter of Mars aside, there are plenty of practically unbreakable ciphers, but there are even more ways to sound like a complete idiot when you write about them.

Some vocabulary first. A cryptosystem is a function that takes one set of symbols to another in a uniquely reversible manner. The key determines the specific way that this happens. Plaintext refers to what you want to hide and ciphertext to the stuff that's hidden.  An attack is an approach to finding the key. A good modern cryptosystem will withstand an attack where both the plaintext and ciphertext are known.

First and foremost, the security of a cryptosystem lies entirely in the key, and not at all in secrecy about the system itself. That James Bond film, “From Russia with Love,” where he and a suitably buxom cipher clerk steal a cipher machine. Forget it. They were amateurs. They could have pulled out and copied the rotors, returned the machine and been in the British embassy in time for tea or martinis with no one the wiser.

A “key search” attacks a known cryptosystem by searching for a key that works. Build the fastest computer you can and try to search every possible key. If you do this for a lot of messages, you'll hit the key often enough to understand the communications. The “bombe” was at Bletchley Park was a fast key searching machine. It's also why we use big keys, like 1024 bits. No use in making it too easy for the NSA, is there?

A side attack uses some other information to break the key. These are seriously cool, and you want your hacker to use one on her adversary. A classic example monitors power use. Computers use different amounts of power and time for different arithmetic operations. Ciphering with your 1024 bit key uses a lot of arithmetic. So you monitor your target by metering its power use.  Researchers have used the sound of the machines' fan, the brightness of a power LED with a telescope and many other tricks to limit the number of possible keys to a search-able number. You can even buy special purpose boards that will do this with “sealed” devices.

(Any opinions offered in this posting are those of the author and not the Science Fiction Romance Brigade.)


Blurb:

Coarse mouthed, hard drinking and bound only by the laws of physics, the space pirate, “Cynthia the Invincible” is on the run with from the alien Cataxi. She is stranded in Earth's dim prehistory when a lucky shot on her ship destroys the jump unit. Marooned in 1810 she is forced to hide while the ship tries to repair itself. Since she enjoys playing the computer game "Jane Austen World" she hides in Regency England. She finds that real life in the Regency is different from the game. Especially when it comes to love.

Living in the Regency poses many novel challenges for her. Mundane things like eating real food rather than the ship's synthetics or learning to ride a horse with a mind of her own pose obstacles that she must learn to overcome.  Others are subtle, such as the withdrawal from the drugs that allow her to conquer the long times required for interstellar travel, even with a jump drive. Even the process of learning to live with other people rather than alone in a small ship can cause problems. Especially when she faces the moral quandary of whether to use her advanced survival technology to save a friend's life.    Even worse, one of the less pleasant alien species is trying to alter Earth's history to eliminate the competition.

These problems would sort themselves out, given time. Does she have the time?


Bio:
Amelia Grace Treader is an author of (mostly) historical romances, with the occasional science fiction romance thrown in for good measure. Based near Atlanta, she writes a unique combination of romance and action. She enjoys reading history, science fiction, and historical romance. Her day job has something to do with computers and making life difficult for college students. While a child of the American South, She's also an Anglophile and not unfamiliar with the south of England. They're more alike than you know - There's even a Krispy Kreme doughnut shop in the Oracle in Reading, and they're just as good as in Kennesaw.

Despite the descriptive name of romance as “bodice rippers,” Amelia tends to write more in the sweet style of "bodice unbuttoners" where the romance is there but not explicit. After all, a good quality bodice was expensive, and only a cad or puppy would damage it. Besides that, tearing a hole in a space suit could have unfortunate consequences.






Tuesday, May 12, 2015

How #Alien Are Your Characters?

One of my saurian characters from Keir
One question that my editor asked me on the first round of copy edits many moons ago now was why all my characters were human or humanoid. Why were there no aliens who, basically, looked more alien?

I’ll confess that until then I hadn’t really thought about it but I had a logical explanation. For one thing, when writing a science fiction romance it, of course, makes it easier if the two main characters who are due to fall in love have a fairly close physical similarity. Sex scenes would obviously be a lot more involved and, er, convoluted shall we say, if the physical differences were very marked. Perhaps that’s something to explore when I’m more confident of my skills in the genre. :D

For my first book I wanted to keep things simple. And I felt that in a galaxy full of diversity, those species who had more in common with us would be more likely to interact, and to therefore form friendships or even romantic attachments. For instance--who do you spend the most time with? A best friend? A partner? Work colleagues? Family? Obviously with family you have that tie of blood and unity that (most) families take as the basis for their relationships together. You might not have chosen each and every one of your work colleagues to be with, but you’ve (presumably) all chosen to work in that profession and therefore have that bond. With a best friend you often have shared experiences and/or interests--things that unite you. With a partner there must have been some initial attraction that has led to a mutual bond and the desire to spend (hopefully) the majority of your lives together.

So in each relationship, there are one or more areas of related interest or goals that connect you. That compel you to spend time together. So it seemed logical to me that races with certain aspects in common might be more inclined to socialize and interact together than, say, those whose even basic needs are incompatible with our own. An oxygen-breathing race like us, for example, would be unlikely to want to spend time with a race that breathes or needs cyanide. A marine species may not want to risk asphyxiation in our atmosphere any more than we’d like to drown. 

It wouldn’t be impossible, and the very nature of a completely different society would no doubt compel a lot of humans to actively pursue such interactions, but the average person would probably seek the simpler solution. How many of us learn to deep sea dive, for example? How many would want to learn? Of course, there may be other ways to adapt ourselves in the future--as an example I recommend Neal Asher’s books where cybernetic and genetic adaptations abound--which would make these interactions easier, perhaps even commonplace.

There are more alien-style aliens in the universe I’ve created. Few interact with the humanoid races that tend to have dominated my stories so far. But there are always opportunities to explore those in the future.

What’s your view on it? Do you think I’m just evading the issue with my reasoning? Do you go for the most outlandish species you can imagine, or do you prefer to keep yours close to human?


(originally posted at Spacefreighters Lounge, February 2012)


A Science Fiction Romance Novel
Goodreads | Available from...
Amazon | All Romance eBooks
Kobo | iTunes | Scribd | 
B&N 
Google Play | Smashwords

Blurb:

A demon waiting to die...
An outcast reviled for his discolored skin and rumors of black magic, Keirlan de Corizi sees no hope for redemption. Imprisoned beneath the palace that was once his home, the legendary 'Blue Demon of Adalucien' waits for death to finally free him of his curse. But salvation comes in an unexpected guise.

A woman determined to save him.
Able to cross space and time with a wave of her hand, Tarquin Secker has spent eternity on a hopeless quest. Drawn by a compulsion she can't explain, she risks her apparent immortality to save Keir, and offers him sanctuary on her home-world, Lyagnius. But Quin has secrets of her own.

When Keir mistakenly unleashes the dormant alien powers within him and earns exile from Lyagnius, Quin chooses to stand by him. Can he master his newfound abilities in time to save Quin from the darkness that seeks to possess her?

***


Still to come -
Scribd
Tolino
Google Play


Book Two of the series, Keir’s Fall: https://www.goodreads.com/book/show/25417498-keir-s-fall




 
Bio:

After spending twelve years working as an Analytical Chemist in a Metals and Minerals laboratory, Pippa Jay is now a stay-at-home mum who writes scifi and the supernatural. Somewhere along the way a touch of romance crept into her work and refused to leave. In between torturing her plethora of characters, she spends the odd free moment playing guitar very badly, punishing herself with freestyle street dance, and studying the Dark Side of the Force. Although happily settled in the historical town of Colchester in the UK with her husband of 21 years and three little monsters, she continues to roam the rest of the Universe in her head.

Pippa Jay is a dedicated member of the Science Fiction Romance Brigade and Broad Universe, blogging at Spacefreighters Lounge, Adventures in Scifi, and Romancing the Genres. Her works include YA and adult stories crossing a multitude of subgenres from scifi to the paranormal, often with romance, and she’s one of eight authors included in a science fiction romance anthology—Tales from the SFR Brigade. She’s also a double SFR Galaxy Award winner, been a finalist in the Heart of Denver RWA Aspen Gold Contest (3rd place), the EPIC eBook awards, and the GCC RWA Silken Sands Star Awards (2nd place).

You can stalk her at her website, or at her blog, but without doubt her favorite place to hang around and chat is on Twitter as @pippajaygreen.



Disclaimer: The views and opinions expressed in this guest post are solely that of the author and not of the SFR Brigade.

Tuesday, April 28, 2015

Defying the Odds and the Tradition of Odysseus by @LianaBrooks #scifi

Written in the Tradition of Odysseus – and – Women Who Are More Than Pretty

Several years ago I sat down to explore an idea. At the time I had no intention of publishing the book. I wasn't sure I could even finish a novel. It was the idea that compelled me; the question of what it would be like to investigate a murder of someone who looks just like you. What would it be like if an investigator was the subject of a serial killer's obsession?
I explored the idea, and because I wasn't thinking about marketing or genre expectations I made the heroine mixed race. I gave her dark skin, an optimistic outlook, a trusting nature, and an aversion to guns.
When I finished the book I realized I'd written a marketing failure. Sci-fi, sci-fi romance, and urban fantasy all have a strong tradition of physically strong female characters. It's rare for any book in these genres to have a character in the tradition of Odysseus, let alone a female character. Women carry guns and swords. They go toe to toe with the big bad, rescue their own d*** selves, and don't need a man's help to save the day.
My heroine, Sam Rose, was after the tradition of Odysseus, a thinker and a strategist.
When the book opens she's a trusting young woman working to build a career at the Commonwealth Bureau of Investigation after a serious family incident almost derailed everything. She's fighting to keep her dream alive, but she's doing it politely, efficiently, and poorly because she's fumbling along the best she can. She's a young, naïve, sweet girl.
And that's what made THE DAY BEFORE a nerve-wracking book to share.
The romance subplot was much more subtle than in my other books, and the heroine much quieter than the other women I've written. I worried that no one would see the strength her silence enveloped. That no one would understand that while a sword-wielding woman was fascinating, one who could sit in silence and gain control was equally worthy of attention. Sam doesn't have flash. She isn't a character with bells and whistles attached. No magic swords, fast ships, swanky genetic engineering, or prophecies attached.
In fact, Sam is frighteningly average. She's your neighbor, your co-worker, your girlfriend... she's the kind of person dismissed every single day because she does her job without complaint.
I sent the first query for Sam's story out the same day I started writing another series. This time the heroine had magic and a sword. This time I was going to write a "proper" SFR/UF heroine. Someone who I could build a career on because I was certain THE DAY BEFORE would never get published.
But Sam's story sold.
Against all odds, a mixed race POC woman is the lead character in a sci-fi thriller. Because there is more than one kind of strong.
I love women with guns who kick butt and take names. Undoubtedly I will write many more books with women like that. But for women to gain equality in the genres we have to let women be more than physically strong. We need nurturers, leaders, thinkers, cowards, bakers, and dog walkers. We need women in fiction who represent every woman who may ever read a book.
We need women who are more than pretty.
I am so excited that this week you finally get to meet Sam Rose. The girl next door who is so much more than she thinks she is.



Blurb:

A body is found in the Alabama wilderness. The question is:
Is it a human corpse … or is it just a piece of discarded property?

Agent Samantha Rose has been exiled to a backwater assignment for the Commonwealth Bureau of Investigation, a death knell for her career. But then Sam catches a break—a murder—that could give her the boost she needs to get her life back on track. There's a snag, though: the body is a clone, and technically that means it's not a homicide. And yet, something about the body raises questions, not only for her, but for coroner Linsey Mackenzie.

The more they dig, the more they realize nothing about this case is what it seems … and for Sam, nothing about Mac is what it seems, either.

This case might be the way out for her, but that way could be in a bodybag.

A thrilling new mystery from Liana Brooks, The Day Before will have you looking over your shoulder and questioning what it means to be human.

Links:







Bio:

Liana Brooks once read the book GOOD OMENS by Neil Gaiman and Terry Pratchett and noted that both their biographies invited readers to send money (or banana daiquiris). That seems to have worked well for them. Liana prefers strawberry daiquiris (virgin!) and will never say no to large amounts of cash in unmarked bills. 
Her books are sweet and humorous with just enough edge to keep you reading past your bedtime. 
Liana was born in San Diego after bouncing around the country she's settled (temporarily) in the great wilderness of Alaska. She can be found on Twitter (@LianaBrooks), on FaceBook, and on the web at www.lianabrooks.com. 





Liana Brooks



Coming April 28th, 2015


Available for Pre-Order


Tuesday, March 3, 2015

Future Morals & Rules of Decorum by Pippa Jay

Hi, I'm Pippa Jay - author of scifi and the supernatural with a romantic soul. When you choose a female demon notorious for seducing men in order to steal their health - even their life - as a template for your heroine, the idea of her having any kind of morality doesn't seem logical. Especially when you then make her a genetically-enhanced assassin whose method of dispatch is to kill those she seduces.



From Wikipedia - “Morality (from the Latin moralitas "manner, character, proper behavior") is the differentiation of intentions, decisions, and actions between those that are good or right and those that are bad, evil or wrong.”

One of the things I wanted to explore with my scifi romance Tethered was the question of morality. Specifically, sex and physical relationships between two fundamentally opposing future societies, despite them sharing a common ancestry. With rape culture, the questioning of the exact definition of consent, and the persistence in victim blaming and shaming an everyday occurrence in our modern society, you have to wonder about current day morality, and if it will ever get any better.

When I first began the story, all I had was the idea of using a supernatural being, a succubus. Since a succubus is a man-seducing demon, it followed that she wouldn't have the same morality as we'd recognize it, perhaps. What's more, I made my succubus heroine an assassin, one who kills through sex, so at least her targets are unresisting and 'die in ecstasy'. (there might also be a little Xenia Onatopp from GoldenEye, James Bond - in Tyree's inspirational make-up)

In Tethered, the central characters express two very differing views on sexual morality and physical relationships/boundaries between partners. For Tyree, it's almost impossible for her to have any hang ups or morals when it comes to sex. By her very nature, she considers it such an essential part of her being that she doesn't believe she can behave in any other way, and sees nothing wrong in it. Tyree actually revels in her ability to seduce her victims and make them die in ecstasy. It's not just what she does, it's all about what she is. And since all her race are clones, there’s no need for sex for procreation, though sometimes it’s done for sheer release among their own kind. To the Inc-Su (Tyree’s people), love is a weird, weak thing that only humans suffer from.

Zander, by contrast, is human. In this futuristic society, most humans follow a set of guidelines known as the Rules of Decorum. It governs how they dress, how they present themselves, and even how they enter relationships: particularly the sexual side. For one thing, there's no rape. Consent must formally be given by both sides before even kisses or touches are exchanged. Anything else is not permitted, and certainly not tolerated. Even though formerly married to a flawed Inc-Su, Zander still adheres to the human formalities and expresses his concerns over Inc-Su morality.

The Rules of Decorum confuse Tyree, and are something she’s aware of as a human foible, but she’s oblivious to the finer details. When she seduces Zander – not to kill, for once, but with the pure intention of giving both of them what they need – release from all the stress and frustrations they've been under, she doesn’t understand his guilt at not following the Rules and doesn’t even realize that she’s broken them. I had one reviewer comment that it skirted too close to dubious consent (not a trope I like myself, but part of the point of the story is about how consent between individuals in two very different societies might be approached in relationships like this), but just as there is no rape in human society because consent must be given, rape is an alien idea to Tyree as well. It simply doesn't happen among her own kind, and no human would dare try, let alone be physically able, to force an Inc-Su into sex. After all, who's going to tackle a being legendary for killing in such a way? Then again, what person is going to be able to say no? Tyree does have an advantage in being able to control her pheromones to attract humans, so I guess that could be seen as drugging her victims.

The conflict and contrast between this aspect of their two societies (and more, but that's the main one that causes them difficulty) is central to their relationship. We see the entire story through Tyree's eyes – her confusion, her attempts to understand her human charge, and the frequent misunderstandings as both try to find a meeting point between their two cultures, or at least some common ground to which to start from.

By the end of the story, Tyree is still an Inc-Su assassin at heart. The mutual respect she and Zander develop enables them to find a compromise and establish a relationship beyond human versus Inc-Su, assassin vs diplomat. Having been crippled by grief, Zander learns to love again. By coming close to losing him and from him challenging her to see things from differing viewpoints, Tyree learns that even a succubi-style assassin can fall in love, and that it’s not a weakness after all.
***

About the book:

She can kill with a kiss. But can assassin Tyree also heal one man’s grief, and bring peace to a galaxy threatened by war?

For Tyree of the Su, being an assassin isn’t simply something she was trained for. It’s the sole reason for her existence. A genetically enhanced clone—one of many in Refuge—she’s about to learn her secluded lifestyle, and that of all her kind, is under threat by a race capable of neutralizing their special talents to leave them defenseless.

For Zander D’joren, being a diplomat has not only cost him his appearance, but also the love of his life. Scarred, grieving, he must nonetheless continue in his role as co-delegate to the fearsome Tier-vane or risk a conflict that could only end one way.

Now both of them need to keep each other alive and maintain a perilous deception long enough to renegotiate the treaty with the Tier-vane, or throw their people into a war that could wipe out Terrans and Inc-Su alike. But there’s more at stake than humanity, whether true or modified. Can the love growing between them save them both? Or merely hasten their destruction?


EXCERPT |  GOODREADS
Available at... Breathless Press |
Smashwords | ARe | Bookstrand

Amazon | B&N

Tethered will be releasing in print on the 24th March!

About the author:

After spending twelve years working as an Analytical Chemist in a Metals and Minerals laboratory, Pippa Jay is now a stay-at-home mum who writes scifi and the supernatural. Somewhere along the way a touch of romance crept into her work and refused to leave. In between torturing her plethora of characters, she spends the odd free moment playing guitar very badly, punishing herself with freestyle street dance, and studying the Dark Side of the Force. Although happily settled in the historical town of Colchester in the UK with her husband of 21 years and three little monsters, she continues to roam the rest of the Universe in her head.

Pippa Jay is a dedicated member of the Science Fiction Romance Brigade, blogging at Spacefreighters Lounge, Adventures in Scifi, and Romancing the Genres. Her works include YA and adult stories crossing a multitude of subgenres from scifi to the paranormal, often with romance, and she’s one of eight authors included in a science fiction romance anthology—Tales from the SFR Brigade. She’s also a double SFR Galaxy Award winner, been a finalist in the Heart of Denver RWA Aspen Gold Contest (3rd place), the EPIC eBook awards, and the GCC RWA Silken Sands Star Awards (2nd place).

You can stalk her at her website, or at her blog, but without doubt her favorite place to hang around and chat is on Twitter as @pippajaygreen.

Blogs –
Adventures in Scifi - http://www.pippajay.blogspot.co.uk
Spacefreighters Lounge - http://www.spacefreighters.blogspot.com




Tuesday, January 6, 2015

The Villain Redeemed by AR DeClerck

We all know him. The man in the dark mask. The shadow that lurks just out of view. The harsh laugh that foretells the doom of the hero. The VILLAIN. Every well-rounded story has one to some degree, and it’s a very basic part of literature.

What is it about the villain that captures our imagination? Whether the villain be male, female, AI, or something all -together alien, there seems to be certain qualities that all villains possess.

Number one: the motivation. This is the main point the villain hopes to achieve. Revenge? Riches? Power? Knowing your villain’s motivation can help you create the basis for the character. This is the thing that your character will do anything to achieve or obtain. The AI in Asimov’s I Robot hopes to bring about the safety and continued existence of man by creating a world in which man has no free will.

Number two: the nemesis. Every villain has a nemesis. A hero with a heart of gold. The light to his dark. Without the hero’s illustrious good character the reader could never realize the villain’s true darkness. Some would argue that we would never know the true depths of Moriarty’s depravity without the shining example of Holmes to compare him to.

Number Three: A deep, dark secret. This is your villain’s deepest secret. The one thing that no one knows, and may, in fact, redeem the villain in the eyes of the reader. (I’m a huge fan of the villain redeemed, and love it when the villain gets his own HEA). This is a story of the villain’s past that even the hero does not know. The wrong done to the villain, or the abuse suffered, that has warped the villain in some pressing way.

Number Four: Some tiny speck of humanity. Your villain has feelings. Your villain had a mother, a father, and perhaps a loved one. Your villain was once a child, and has suffered. (In most cases. Sometimes the villain is a robot, but then you might argue that he was at the mercy of his creator for his evil ways). There are outside forces that have acted on your villain to make him/her into the person they are today. This acts on your character’s motivation. Maybe your villain has a soft spot for girls with green eyes because they remind him of his sister, or maybe he kills them on sight for the same reason. Know your villain’s emotions and know that he feels things just as deeply as your hero.

Whatever your character’s motivation, your villain is an important part of the story. Whether the reader needs to know him as intimately as the hero depends on the story, but the author should know everything about him. Let your villain become as three dimensional as your hero, so that your hero’s victory is that much sweeter. Or, redeem your villain and bring him into the light as a main character at a later date.

Amy R. DeClerck

Author AR DeClerck


AR DeClerck is a mother, wife and dialysis technician who lives in the Quad Cities, IL. An avid reader, reviewer and writer she favors sci fi and scifi romance genres. She attributes her love of books and all things literature to her mother, who always has a book nearby.

Current SFR novel available:




Forged in Fire by AR DeClerck via Nevermore Press Dec 2014

Tuesday, December 9, 2014

Recap of PhilCon - Guest Post by TK Anthony

L to R: Alex Shvartsman; Berakha Lana Guggenheim; Robert C. Roman; Steve Miller; Brian Thomas; Lee Gilliland

First held in 1936, The Philadelphia Science Fiction Convention is the oldest in the nation, and arguably, the world. According to Wikipedia, our Friends Across the Pond claim that distinction, because the first UK SF convention in 1937 was less ad hoc and more organized. As an upstart colonial, I will point out that the first PhilCon had a chairman, a secretary, discussions of SF, parties, filk, and gaming--although the gaming was craps. Seventy-eight years later, many of those same elements filled this year's schedule.

It's been a while since I've been to an SF convention--not since Lois McMaster Bujold was guest of honor at Boskone sometime in the early 2000s.  I'd forgotten how much fun they were. Part of the fun is going with the right people. In this case, two of my sisters, one of whom was celebrating her 29th birthday (that's her story and I'm sticking to it). All three of us managed to clear our schedules so we could arrive on Thursday night. The weather was cold (especially for this Texas transplant), so we decided that, having checked into the conference hotel, we would just eat dinner there. The waiter led us back to our table. And at the next table sat...

Sharon Lee and Steve Miller. (Pause here for total fangirl moment.) I've been a fan of Lee & Miller since maybe 15 minutes after they published their first book, Agent of Change, back in 1988. I quashed my first inclination to jump up and down, screaming and pointing. And really, there was no need. My sisters knew exactly who they were.

Not wanting to scare PhilCon's principal speakers running into the frigid night, we played it cool. Yeah. Cool. Until finally I leaned forward and said something on the order of, "I don't mean to intrude...but, we're fans."

Sharon and Steve were all that is gracious, and thus ensued an hour's lively conversation. We chatted about everything from deleting scenes to improve the story's flow; our favorite childhood books; the emotional challenge of weeding one's library; to "Swifties." (For the uninitiated, "Swifties" are based on the writing style of the Tom Swift books. As in: "Look, there's a bridge!" said Tom archly. "There's a pop quiz today," said Tom testily.) I think I mostly managed not to stutter in awe. Truth said, I could've gotten up from the table and gone home, and the trip to Philly would've still been worth it.

Because of commitments on Sunday, I only had two days to spend at PhilCon. After stuffing some fliers for my books in Filthy Pierre's SF Info rack--which travels with the owner from con to con--I made the most of my time, attending several interesting panels. Some of the standouts included:

How to Set Up a Crowdsourcing Project gave attendees the benefit of the real-lfe experience of the panelists. Critical elements of success include: Backers need to be confident in your professionalism and transparency. If you just can't do a video, then do a slide-show with voice-over. Calculate your costs carefully, and show how their support matters. Use social media to promote your campaign; Twitter casts a wider net than Facebook. Think creatively about donor rewards and stretch goals--and keep it simple. (No apparel! You don't need the headache of managing sizes, shipping, and storage.) People want to feel appreciated, and involved. (Sometimes, it's as simple as listing their names on a thank you page in your next book.) Panelists: Danielle Ackley-McPhail (mod); Rob Balder; Neil Clarke; Gil Cnaan; Alex Shvartsman; Alyce Wilson.

In the session Does Science Fiction Need to Lighten Up? it took a little while for the panelists to decide what their topic really meant. Some thought it meant we needed more humor in SF. Others thought both authors and readers needed to stop bringing today's social agendas into every story; the story matters more than agenda checkboxes. Everyone seemed to agree that casting evil nastiness in a positive light is a good thing to avoid. Some elements of SF seem to be going toward a darker literary approach, while others are reviving the best traditions of SF as genre fiction. The panel discussion also touched on the role of YA in building the fandom. Steve Miller, bringing 40 years' of commercial writing to the table, asked what SF had to offer the 10-15 year-olds to bring them into the genre, building our future fandom. (Or, as my sister the librarian put it..."Where's the SF gateway drugs?") Panelists: Alex Shvartsman (mod); Brian Thomas; Berakha Lana Guggenheim; Steve Miller; Robert C. Roman; Lee Gilliland.



Side note: One of my writing buddies, Robert C. Roman, was on this panel--a nice surprise. Bob and I met online about seven years ago, critting each other's stories on Baen's Bar, and have kept in touch at least sporadically ever since. This was the first time we ever met in person. Which is exactly why people attend cons. 

The panelists on Building Believable Relationships in SF offered some stellar advice. Portray emotional truth, so that your reader can find something that resonates with them. Be sure to show them emotional consequences to give them a reason to care. And an interesting insight: Your culture is actually the main character in your book, because your characters exist in a cultural context, and whether they swim with current or against it, they are an expression of their culture. Panelists: Gregory Frost (mod); Rob Balder; Meredith Schwartz; Anastasia Klimchynskaya; Gail Z. Martin; Sharon Lee.

In their principal speech, Lee and Miller outlined the choices that had led them to become first writers, then writing partners, generally eschewing opportunities to rise in the ranks of more traditional employment--no matter how many times the opportunity presented itself-- in order to do what they truly enjoyed doing: building worlds and creating the characters who populate them. Characters and worlds they love, and so their readers...in a total fangirl/fanboy fashion.

In the time since the first PhilCon, the publishing industry has endured dramatic changes. Books went from hardback to pulp to ebook. As Sharon and Steve reviewed a lifetime of decisions that had led to them to the role of principal speakers at the 78th PhilCon, I was struck by the realization that no matter how the industry changes, or the genre changes, the bond between author and reader remains essentially the same: the story that touches our minds and hearts in a shared experience.     



Bio:

Warped in childhood by too much reading, T.K. Anthony made her living in the world of words, spending two years on Capitol Hill as a press secretary before moving on to Corporate America in business communications and human resources.
She grew up in Pennsylvania, has lived in Illinois, Virginia, Upstate and Central New York, and Massachusetts, and has seen much of the United States by road trip, visiting a whole raft of cousins. Travel outside the US includes Canada, Scotland, England, Italy, France, Belgium, and Spain. With her travel bag packed, she now resides in Texas with her husband, two cats (Pip and Taz are close collaborators in her writing, and keep her keyboard furry), and all the people in her head who talk to her.
She loves to talk to other people, too–so leave a comment, or send her an email at tesskanthony AT gmail DOT com.

Blurb:
Warned by a Seeing… 

The high king of the Scotian Realm expects the arrival of an enemy, a race of psychic predators bent on galactic conquest. The Realm’s one hope is alliance with the neighboring star domains in defense of a shared colony, Forge. 

Caught in Fate’s grim weaving… 

Mindblind, amnesic, Tazhret lives out his drug-induced visions of servitude on Forge. He wants to believe the beautiful woman with the nut-brown hair who whispers reassurances to his harrowed heart: “You have a name.” But is she even real? Or just one bright thread in his dark dreams? 

An unexpected hope… 

Tazhret’s destiny leads him to freedom and the woman he yearns for—and to a desperate struggle against the enemy. 

Tazhret can save Forge, and his beloved. But only at the cost of all he has gained: his name, his freedom, and his love.


Buy links for Forge: 

Barnes & Noble - http://bit.ly/1uEXVdi
Decadent Publishing - http://bit.ly/1AeiUXv
Smashwords - http://bit.ly/1xMPoom

Twitter:       @TK_Anthony_
website:      www.scotianrealm.com

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